Highlights

• Panalux UK receives BAFTA albert accreditation

  The listing in the BAFTA albert Suppliers Directory recognizes Panalux U.K.’s commitment to sustai...

  Read Article
• Custom solutions behind the cinematography of F1 The Movie

  Director of photography Claudio Miranda ASC and 1st AC Dan Ming lift the hood on the behind-the-sc...

  Read Article
• Would these cinematographers live in the worlds they help create?

  A group of cinematographers answer the question, “If you could live in the world of one of your pr...

  Read Article
• The cinematography of Superman with Henry Braham BSC

  The cinematographer reteams with writer-director James Gunn to bring the timeless hero back to the...

  Read Article
• Nicolas Bolduc CSC on the cinematography of 13 Days, 13 Nights

  Bolduc teamed with director Martin Bourboulon to deliver a gripping wartime thriller chronicling t...

  Read Article
• Direct Digital relocates Paris hub

  The strategic move enables the company to continue to expand and scale its services in closer prox...

  Read Article
• Nikita Kuzmenko on music-video cinematography

  The director of photography offers insights from his collaborations with artists including Cardi B...

  Read Article
• The cinematography of A Minecraft Movie

  Enrique Chediak ASC shares insights into crafting the film’s look, the inspirations behind it, and...

  Read Article
• A cinematographer’s career path: Olan Collardy

  Director of photography Olan Collardy retraces his journey behind the camera and shares lessons le...

  Read Article
• Crafting the look of What We Do in the Shadows Season 6

  Cinematographer Bevan Crothers, producer Todd Aronauer and Light Iron senior colorist Ethan Schwar...

  Read Article
• Roundtable with the cinematographers of Andor Season 2

  Directors of photography Christophe Nuyens SBC, Mark Patten BSC and Damián García detail their wor...

  Read Article
• Interview with Heartstopper & Sweet Sue cinematographer Simona Susnea

  The director of photography shares lessons and inspiration from her journeys behind the camera.

  Read Article
• Cinematographer Adrian Teijido ABC on the Oscar-winning film I’m Still Here

  Teijido and director Walter Salles mixed lenses, cameras and film stocks to craft two distinct tim...

  Read Article
• Music-video cinematography with Natasha Duursma

  The director of photography reflects on her career path and details projects such as the 14 videos...

  Read Article
• Jarin Blaschke and Dan Sasaki discuss vintage and custom lenses

  The cinematographer sits down with Panavision’s SVP of Optical Engineering for a conversation abou...

  Read Article
• Filming Cameron Monaghan’s short film Foxbody on 3-perf 35mm

  Cinematographer Aislyn Murray and writer-director-actor Cameron Monaghan detail the technical and ...

  Read Article
• Testing lenses with Holland cinematographer Pawel Pogorzelski

  The director of photography joins Panavision’s Brian Mills and Mike Carter for a conversation abou...

  Read Article
• Mandy Walker AM ASC ACS on how she became a cinematographer

  The renowned director of photography retraces her journey behind the camera.

  Read Article
• Panavision Grip and Remote Systems moves London operations into larger facility

  Now open, the new site represents a substantial expansion and is conveniently located across from ...

  Read Article
• Supporting Filmmakers in Australia’s Northern Territory

  Panavision Australia’s Nic Godoy and Screen Territory’s Jennie Hughes reflect on regional programs...

  Read Article
• Johnny Derango on the cinematography and color grade of Flight Risk

  The cinematographer details his work on set and with Light Iron’s Ian Vertovec.

  Read Article
• Cinematographer Thomas Brémond on the French film Prosper

  The cinematographer blends fantasy with reality while capturing director Yohann Gloaguen’s comedic...

  Read Article
• Guiding Images From Concept to the Screen: Presented with Women In Cinematography

  An esteemed group of women cinematographers dive deep into their preproduction processes in this p...

  Read Article
• The Making of Gladiator II

  John Mathieson BSC discusses reteaming with director Ridley Scott for the feature film Gladiator I...

  Read Article
• The Panavision Group Celebrates Women’s History Month 2025

  In celebration of Women’s History Month and International Women’s Day, Panavision, Light Iron, Pan...

  Read Article
• The Making of Nickel Boys

  ASC Spotlight Award winner Jomo Fray shares his journey and philosophy while guiding viewers behin...

  Read Article
• Kramer Morgenthau, ASC on the cinematography of Captain America: Brave New World

  The cinematographer shares how he and director Julius Onah crafted the movie’s paranoid-thriller a...

  Read Article
• 1st AC Keith Davis on the camera assistant’s craft

  The renowned focus puller shares insights and advice from throughout his career journey.

  Read Article
• This Date in Panavision History: February 18

  Panavision was officially incorporated on this date in 1954.

  Read Article
• Douglas Delaney Joins Light Iron as Supervising Colorist

  Esteemed colorist complements Light Iron’s world-class artist roster, bringing deep experience acr...

  Read Article
• The Making of A Complete Unknown

  Cinematographer Phedon Papamichael, ASC, GSC discusses the lens and camera choices behind the port...

  Read Article
• Autumn Durald Arkapaw, ASC on filming The Last Showgirl

  The cinematographer embraced super 16mm for director Gia Coppola’s intimate feature film.

  Read Article
• Jomo Fray’s cinematography for Nickel Boys

  Crafting Presence: Cinematographer Jomo Fray discusses the immersive visual language he and direct...

  Read Article
• The Making of Nosferatu

  Cinematographer Jarin Blaschke discusses the vintage and custom lenses used for his latest collabo...

  Read Article
• The cinematography of The Fire Inside with Rachel Morrison, ASC and Rina Yang, BSC

  A dynamic discussion about the sweet science behind the visual style of The Fire Inside, Rachel Mo...

  Read Article
• The Making of Netflix’s Black Doves

  Lead cinematographer Mark Patten, BSC and gaffer Brandon Evans take viewers inside their collabora...

  Read Article
• Creating a film look for Y2K

  Cinematographer Bill Pope and Light Iron senior colorist Charles Bunnag discuss their collaboratio...

  Read Article
• The cinematography of Red One with Dan Mindel, ASC, BSC, SASC

  Santa's New Suit: The cinematographer helps bring an action-packed spin to the holidays in the Chr...

  Read Article
• Cinematographer Evgenia Alexandrova AFC on The Balconettes

  The director of photography shares insights into her creative process for Noémie Merlant's feature...

  Read Article
• Cinematographer Anka Malatynska on Rescue: HI-Surf

  Step in and Hang Ten: The director of photography reveals how she conquered the waves during the f...

  Read Article
• Alice Brooks, ASC on the cinematography of Wicked

  From Stage to Screen: The cinematographer details her latest collaboration with director Jon M. Ch...

  Read Article
• Stuart Bentley, BSC on the cinematography of We Live in Time

  Support Systems: The director of photography worked with Panavision PVintage lenses and Panalux-pr...

  Read Article
• Celebrating 70 Years of Optical Innovation

  In recognition of Panavision’s seven decades, we revisit a selection of the company’s significant,...

  Read Article
• Light Iron welcomes Andrew Geary as Senior Colorist

  Renowned artist brings extensive feature and series experience, further bolstering company’s roste...

  Read Article
• The Making of Filip

  Cinematographer Michał Sobociński, PSC discusses the visual language of the 1940s-set Polish featu...

  Read Article
• Cinematographer Andrew Dunn, BSC on Killer Heat

  International Intrigue: Andrew Dunn, BSC shares his perspective as part of the internationally div...

  Read Article
• Idan Menin on the cinematography of Lost on a Mountain in Maine

  The director of photography continues his journey of exploration and discovery with the new featur...

  Read Article
• Fabien Faure on the cinematography of À l’ancienne

  Cinematographer Fabien Faure discusses his approach to capturing the French buddy comedy.

  Read Article
• Director Richard Lagravenese on the look of A Family Affair

  The director worked with cinematographer Don Burgess, ASC and Light Iron supervising colorist Cori...

  Read Article
• Light Iron Colorists Nominated for Creative Awards

  Ian Vertovec and Élodie Ichter have been nominated for a FilmLight Colour Award and HPA Award, res...

  Read Article
• Director William Eubank: A Camera-Driven Approach

  The Land of Bad director reflects on the influences and experiences that have shaped his vision, f...

  Read Article
• Chayse Irvin, ASC, CSC on Travis Scott’s “Mo City Flexologist”

  For the City: The cinematographer embraces spontaneity for his latest music-video collaboration wi...

  Read Article
• A Collaboration With Panavision: Giovanni Ribisi

  Giovanni Ribisi reflects on his relationship with cinematography, both as an actor and as a direct...

  Read Article
• Cinematographer Matthias Königswieser, AAC on White Bird

  Reteaming with director Marc Forster, Königswieser employed anamorphic lenses and a mix of 35mm fi...

  Read Article
• Cinematographer Jeffrey Kim on the comedy feature Babes

  Timeless Warmth: Cinematographer Jeffrey Kim and colorist Keith Jenson share how they collaborated...

  Read Article
• A Collaboration With Panavision: Oona Menges, BSC

  Cinematographer Oona Menges, BSC discusses making the series Ruby Speaking.

  Read Article
• The Making of Beetlejuice Beetlejuice

  Cinematographer Haris Zambarloukos, BSC, GSC welcomes viewers into his collaboration with director...

  Read Article
• A Collaboration With Panavision: Anna Smoroňová, ASK

  Anna Smoroňová, ASK shares advice and inspiration for beginning cinematographers.

  Read Article
• Cinematographer Stephan Pehrsson, BSC on collaboration and inspiration

  Stephan Pehrsson, BSC offers a firsthand account of the close collaborations that have been centra...

  Read Article
• A Collaboration With Panavision: Robbie Ryan, BSC, ISC

  The Kinds of Kindness cinematographer discusses the intense, rewarding experience of filmmaking.

  Read Article
• 2024 Emmy Nominees Supported by the Panavision Group

  Panavision’s camera and optics, lighting, and post divisions supported nominees across a range of ...

  Read Article
• A Collaboration With Panavision: Shelly Johnson, ASC

  The cinematographer discusses the importance of understanding how each individual shot contributes...

  Read Article
• Tim Belcher joins Light Iron as new Managing Director

  Post-production veteran will lead company in ongoing innovations to benefit filmmakers throughout ...

  Read Article
• Cinematographer Adam Stone on The Bikeriders

  The director of photography discusses the choice of anamorphic lenses and 35mm film for his latest...

  Read Article
• Shooting and Directing an Ultra-Stylish Promo

  Directors George and James Beattie and cinematographer Jeremy Valender detail their efforts to bal...

  Read Article
• A Collaboration With Panavision: Phedon Papamichael, ASC, GSC

  The filmmaker reflects on the creative dialogue between cinematography and directing.

  Read Article
• Inside the Color Grade of Percy Jackson and the Olympians

  An Olympian Effort: Co-showrunner Dan Shotz and senior colorist Charles Bunnag share the process o...

  Read Article
• Robert Elswit, ASC: The Cinematography of Ripley

  The cinematographer reflects on his collaboration with writer-director Steven Zaillian to bring th...

  Read Article
• Creating a Mystical Landscape With LEE Filters

  Photographer Jordan Banks uses filtration to enhance a river setting’s fantastical feel.

  Read Article
• Michele Channer Appointed Managing Director of Panalux

  Channer will lead the company in its continued focus on providing customers with best-in-class lig...

  Read Article
• Lucie Baudinaud, AFC discusses Bis Repetita

  Crafting a Comedy of Errors: The cinematographer credits her longstanding relationship with direct...

  Read Article
• Armando Salas, ASC and Ian Vertovec on Griselda

  Grit and Glamour: The cinematographer and supervising colorist detail the look development and col...

  Read Article
• Capturing Cityscapes With LEE Filters

  Photographer Verity Milligan guides viewers through her process while capturing stills on the stre...

  Read Article
• David Lanzenberg and Todd McMullen Dive Into Palm Royale

  Poolside Gossip: The directors of photography admire the details in the country-club comedy.

  Read Article
• The Making of The Fall Guy

  Cinematographer Jonathan Sela, ASC embraces anamorphic optics for director David Leitch’s action c...

  Read Article
• Lighting a Day-Interior Café With LEE Filters

  Cinematographer Simon Rowling takes viewers step-by-step through his process for lighting a daytim...

  Read Article
• The Making of All of Us Strangers

  Cinematographer Jamie D. Ramsay, SASC details his approach to lighting the movie.

  Read Article
• Ole Bratt Birkeland, BSC and Chris Dowling on Good Grief

  Breadth of Support: The cinematographer and gaffer reflect on their collaboration for director Dan...

  Read Article
• Élodie Ichter Joins Light Iron as Senior Colorist

  Acclaimed colorist brings global expertise on high-profile projects, further elevating the company...

  Read Article
• Melanie Georgieva Joins Panalux as Long Form Sales Director

  Georgieva's 25 years of industry experience further elevates company's commitment to supporting cu...

  Read Article
• Shaun Seneviratne Syncs With Keith Jenson on Ben and Suzanne

  Authentic Perspectives: The writer-director and Light Iron colorist discuss collaborating on the f...

  Read Article
• Adapting to Landscapes With LEE Filters

  Photographer Jordan Banks takes viewers on location as he captures an atmospheric landscape.

  Read Article
• A Spirit Between Worlds

  Cinematographer Victor Seguin, AFC distinguishes a character’s dual lives in the French film La Vé...

  Read Article
• Lighting a Horror Scene With LEE Filters

  Gaffer Elena Armellini demonstrates how she uses lighting gels to visually support the story.

  Read Article
• For the Family

  Cinematographer David Cailley creates a hybrid aesthetic for his brother’s feature film The Animal...

  Read Article
• Lighting a Night-Interior Bar Scene With LEE Filters

  Cinematographer Simon Rowling employs gels and diffusion filters to light a moody night interior.

  Read Article
• Women Making History, Part 5

  Panavision’s interview series concludes with a focus on the participants’ early and ongoing source...

  Read Article
• A Collaboration With Panavision: Pedro Luque, SCU

  The cinematographer reflects on his creative process and shares the most inspiring advice he’s rec...

  Read Article
• Women Making History, Part 4

  Panavision’s interview series continues, focusing on highlights from the participants’ careers.

  Read Article
• Gaul Porat & Christian Breslauer on Ariana Grande's "yes, and?"

  Vintage Allure: Cinematographer Gaul Porat and director Christian Breslauer craft a retro-chic loo...

  Read Article
• Women Making History, Part 3

  Participants in Panavision’s interview series reflect on the importance of mentorship.

  Read Article
• The Making of Ferrari

  Erik Messerschmidt, ASC brings viewers inside the action for the historical drama directed by Mich...

  Read Article
• Women Making History, Part 2

  Panavision’s interview series continues with a focus on the best advice the participants have rece...

  Read Article
• Women Making History, Part 1

  In honor of Women’s History Month, Panavision kicks off a five-part interview series highlighting ...

  Read Article
• The Making of The New Boy

  Writer, director and cinematographer Warwick Thornton discusses the acclaimed feature.

  Read Article
• LEE Filters expands LEE Direct e-commerce platform to Canada

  LEE Direct Canada serves creatives across Canada with easy access to LEE Filters products, informa...

  Read Article
• Light Iron Colors Penelope in the Cloud

  The pioneering workflow is recognized as part of the MovieLabs 2030 Vision Showcase Program.

  Read Article
• Cinematographer Sherri Kauk on the indie Drugstore June

  Look, Flow & Legacy: Cinematographer Sherri Kauk and director Nicholaus Goossen discuss making the...

  Read Article
• The Panavision Group at BSC Expo 2024

  Take a guided tour through the Panavision, Panalux and LEE Filters booths.

  Read Article
• Vital History

  Lead cinematographer Trevor Forrest reflects on the National Geographic series Genius: MLK/X.

  Read Article
• The Making of Saltburn

  Linus Sandgren, FSF, ASC brings viewers inside the gothic visuals of Saltburn, written and directe...

  Read Article
• Cinematographer Ricardo Diaz on joining Winning Time

  Worthy Company: Cinematographer Ricardo Diaz reflects on his ASC Award-nominated work on Winning T...

  Read Article
• The Making of Killers of the Flower Moon and Barbie

  Rodrigo Prieto, ASC, AMC discusses the creative collaborations and visual inspirations behind both...

  Read Article
• Panalux welcomes Sandro Leone as Long Form Sales Director

  Industry veteran brings extensive experience in motion-picture equipment rental, further strengthe...

  Read Article
• Mátyás Erdély, HCA: The Iron Claw cinematography

  Family of Fighters: Cinematographer Mátyás Erdély, HCA tags in for writer-director Sean Durkin’s f...

  Read Article
• Panalux announces new London headquarters

  Purpose-built, conveniently located facility will bring Panalux London’s rental inventory, service...

  Read Article
• The Making of The Crown

  Adriano Goldman, ASC, BSC, ABC and gaffer Andy Lowe take viewers behind the scenes of the acclaime...

  Read Article
• Stefan Duscio, ACS on the Sydney Opera House short Play it Safe

  Celebrating the Creative Spirit: Stefan Duscio, ACS reflects on Play it Safe, a salute to 50 years...

  Read Article
• Philippe Le Sourd, ASC, AFC on the cinematography of Priscilla

  Texure of Emotion: Philippe Le Sourd, ASC, AFC reteams with Sofia Coppola to craft the intimate bi...

  Read Article
• The Making of The Florida Project

  Alexis Zabé, ASC, AMC revisits director Sean Baker’s lauded 2017 feature.

  Read Article
• Cinematographer Matthew Clark, ASC on Sitting in Bars With Cake

  Perfect Pairs: Matthew Clark, ASC crafts a visual arc from prep through post for the feature Sitti...

  Read Article
• Rodrigo Prieto, ASC, AMC: The cinematography of Barbie

  Collector's Edition: Cinematographer Rodrigo Prieto, ASC, AMC unboxes director Greta Gerwig’s reco...

  Read Article
• Cinematographer Alain Duplantier on The Deep Dark

  Seeing in the Dark: Cinematographer Alain Duplantier prizes practicality in bringing The Deep Dark...

  Read Article
• Wistful Thinking

  Director Le Chau and cinematographer Marshall Victory discuss their New Filmmaker Program-supporte...

  Read Article
• Unmistakable Charm

  Cinematographer Vadim Alsayed details the dazzling look of director Florent Gouëlou’s feature debu...

  Read Article
• A Collaboration With Panavision: Autumn Durald Arkapaw, ASC

  The cinematographer speaks about the power of the community that surrounds the camera.

  Read Article
• A Collaboration With Panavision: Alexis Zabé, ASC, AMC

  The cinematographer emphasizes the value of flexibility in life and work.

  Read Article
• Sam Daley Nominated for HPA Award

  The Light Iron senior colorist is recognized for his work on Descendant.

  Read Article
• To Be Believed

  Cinematographer Yann Maritaud discusses his latest collaboration with director Charlène Favier, on...

  Read Article
• A Collaboration With Panavision: John Seale, AM, ACS, ASC

  The Australian cinematographer shares well-earned lessons from his storied career.

  Read Article
• In Focus: Panavision Manufacturing

  Go behind the scenes with Panavision’s manufacturing department.

  Read Article
• Launchpad Season 2 Takes Flight

  Panavision and Light Iron provide end-to-end services for the second season of Disney’s Launchpad.

  Read Article
• A Collaboration With Panavision: David Procter, BSC

  The cinematographer shares insights and inspirations from his varied body of work.

  Read Article
• LEE Filters launches LEE100 Deluxe Kit+

  Comprehensive kit includes adaptor rings, new ProGlass Graduated Filters.

  Read Article
• Tall Tale

  Light Iron senior colorist Sam Daley helps distinguish the look of Boots Riley’s series I’m a Virg...

  Read Article
• Cinematographer Jimmy Lindsey, ASC on the original series Physical

  Creative Exercise: Jimmy Lindsey, ASC discusses the final season of Physical.

  Read Article
• A Collaboration With Panavision: Ben Davis, BSC

  The cinematographer reflects on his journey behind the camera and shares his perspective on the cr...

  Read Article
• Kim Snyder Receives HPA Alchemist Honor

  The HPA League Honor recognizes Panavision’s president and CEO for her leadership, innovation, and...

  Read Article
• Winning Depth

  Todd Banhazl, ASC details the gameplan behind Winning Time’s second season.

  Read Article
• Steven Meizler & Ian Vertovec: The cinematography of White House Plumbers

  Political Colors: Cinematographer Steven Meizler and Light Iron supervising colorist Ian Vertovec ...

  Read Article
• A Collaboration With Panavision: Stephen H. Burum, ASC

  The Camerimage 2022 Lifetime Achievement Award recipient shares insights from a storied career beh...

  Read Article
• The Thrill of the Ride

  Cinematographer Jeffrey Waldron discusses the distinct styles he helped craft for Haunted Mansion ...

  Read Article
• Cinematographer Steven Holleran on Shooting Sympathy For The Devil

  Surreal Sympathies: Steven Holleran captures good, evil and the in-between in Sympathy for the Dev...

  Read Article
• A Collaboration With Panalux: Ben Smithard, BSC

  The cinematographer reflects on his career path and foundation in lighting.

  Read Article
• A Collaboration With Panavision: Piotr Śliskowski, PSC

  The director of photography traces his journey behind the camera.

  Read Article
• Cinematographer Dillon Schneider on the Feature The Crusades

  Personal Mission: Cinematographer Dillon Schneider imbues poetic realism into the dramatic comedy ...

  Read Article
• Coming in Hot

  Cinematographer Federico Cantini recounts capturing the multi-layered origin story of the world’s ...

  Read Article
• A Realm of Great Escape

  Camilo Monsalve, ADFC navigates the camera across a surrealistic road trip for the indie sci-fi co...

  Read Article
• Legends in Living Color

  Light Iron colorist Katie Jordan shares her perspective on the journey of Aristotle and Dante Disc...

  Read Article
• A Collaboration With Panalux: Harry Wiggins

  The renowned gaffer illuminates his approach to creating a fitting atmosphere through lighting.

  Read Article
• LEE Filters introduces LEE Compact 2-foot lighting gel and diffusion rolls

  New form factor for LEE’s renowned lighting filters enables greater mobility at lower price point.

  Read Article
• A Collaboration With Panavision: Óscar Faura, AEC

  The cinematographer reflects on his creative partnership with director J.A. Bayona and more.

  Read Article
• Cinematographer Justin Derry's Visual Storytelling on Bruiser

  Isolated Incident: Cinematographer Justin Derry crafts images that examine the throes of manhood i...

  Read Article
• The Making of The Silent Twins

  Jakub Kijowski, PSC discusses his latest collaboration with director Agnieszka Smoczynska.

  Read Article
• Hyper-Natural Force

  Stephen Murphy, BSC, ISC takes viewers on a ride-along through the visual style of the police dram...

  Read Article
• A Collaboration With Panalux: Julian White

  The distinguished gaffer takes viewers behind the scenes of his collaborative approach to the crea...

  Read Article
• Twins Again

  Cinematographer Laura Merians Gonçalves helps deliver a carefully developed aesthetic for the mini...

  Read Article
• The Making of Landscapers

  Erik Alexander Wilson, BSC reflects on the distinct looks crafted for each episode of the limited ...

  Read Article
• Cinematographer Lower A. Meyer on the series Servant

  Creative Signature: Cinematographer Lowell A. Meyer discusses the visual language of the original ...

  Read Article
• Pawel Pogorzelski, 1st AC Dany Racine & Brian Mills on Beau Is Afraid

  Journey of Extremes: Cinematographer Pawel Pogorzelski, 1st AC Dany Racine, and Panavision’s Brian...

  Read Article
• Intense Drive

  Cinematographer Erik Henriksson gets into gear for Aston Martin’s ‘Intensity. Driven.’ advert.

  Read Article
• Cinematographer Matt Toll on the short film G'day

  Say G'day: Cinematographer Matt Toll offers a personal tour through Tourism Australia’s G’day, the...

  Read Article
• Crescenzo Notarile ASC, AIC on the Final Two Seasons of Star Trek Picard

  Captain's Log: Crescenzo Notarile, ASC, AIC shares this exclusive firsthand account of his voyage ...

  Read Article
• The Making of Black Bird

  Cinematographer Natalie Kingston brings viewers behind the scenes of the limited series Black Bird...

  Read Article
• Christopher Charles Kempinski and Geoff Wallace on Kung Fu Season 3

  Room to Move: Cinematographers Christopher Charles Kempinski and Geoff Wallace discuss how lens ch...

  Read Article
• LEE Filters introduces direct-to-consumer channel for US customers

  LEE Direct US gives creatives across the United States ready access to products and speedy door-to...

  Read Article
• The Making of Wakanda Forever

  Autumn Durald Arkapaw, ASC details her work on the Marvel movie Black Panther: Wakanda Forever.

  Read Article
• Jake Polonsky, BSC on Edgar Wright's McDonald's commercial

  Choreography Is Key: Cinematographer Jake Polonsky, BSC hits all the right moves for director Edga...

  Read Article
• Sebastian Pfaffenbichler, AAC on inspiration as a cinematographer

  Inspired Choices: Sebastian Pfaffenbichler, AAC describes the visual, familial and collaborative i...

  Read Article
• Finding the Light

  Cinematographer Mauro Fiore, ASC and writer-director Zach Braff discuss their highly collaborative...

  Read Article
• Writer-director Joseph Amenta on the feature Soft

  Frivolity and Power: Writer-director Joseph Amenta synced with cinematographer Liam Higgins to gui...

  Read Article
• Johanna Gravelle appointed Managing Director of Panavision Canada

  Gravelle will continue the company’s commitment to supporting the filmmaking community with best-i...

  Read Article
• Arnau Valls Colomer, AEC on the cinematography of The English

  A New Take on the Old West: Cinematographer Arnau Valls Colomer, AEC uncovers a new side of the Am...

  Read Article
• Cinematographer Evan Prosofsky, CSC on the Short Lay Me by the Shore

  Commiting to Memory: Revisiting the fleeting memories of adolescence in the short film Lay Me by t...

  Read Article
• Enter the Wu-Tang

  Director of photography Gavin Kelly digs deep to bring hip-hop history to the screen for the serie...

  Read Article
• Matthias Königswieser, AAC on the cinematography of A Man Called Otto

  No Man Left Alone: Matthias Königswieser, AAC shares how he found the perfect look to suit A Man C...

  Read Article
• Kramer Morgenthau, ASC on the cinematography of Creed III

  A Sweet Science: Kramer Morgenthau, ASC details the technical precision and creative expression be...

  Read Article
• The Making of Empire of Light

  Gaffer John “Biggles” Higgins takes viewers behind the scenes of the Oscar-nominated feature.

  Read Article
• Cinematographer Rico Moran and Director Chandler Levack on I Like Movies

  Cinematic Fanatic: Exploring the visual direction behind the coming-of-age comedy I Like Movies.

  Read Article
• The Making of Elvis

  Mandy Walker, AM, ASC, ACS shares her insights into the creative collaborations behind the feature...

  Read Article
• Director Jess Kohl and Cinematographer Adric Watson on A Mouthful of Petrol

  A High-Impact Short: Behind the scenes of the Camerimage award-winning documentary short A Mouthfu...

  Read Article
• Chayse Irvin, ASC, CSC on the Cinematography of Blonde

  Don't Sweat the Technique: Chayse Irvin, ASC, CSC details his process for breathing new life into ...

  Read Article
• Cinematographer Peter Deming, ASC on The Menu

  Dining in Style: Peter Deming, ASC recounts the ingredients that make up the visual feast of The M...

  Read Article
• LEE Filters Canada Meets Evolving Needs in 2023

  LEE Filters Canada builds on its successful launch with continued support for customers’ creative ...

  Read Article
• Through a Donkey’s Eyes

  Cinematographer Michał Dymek, PSC shares the visual inspirations behind director Jerzy Skolimowski...

  Read Article
• Project Involve’s 2022 Cinematography Fellows

  New Visions: Project Involve’s 2022 cinematography fellows reflect on their experiences in the pro...

  Read Article
• A Tailor-Made Ensemble

  Cinematographer Tom Clancey discusses collaborating with Panavision, Light Iron and his fellow cin...

  Read Article
• Building on What’s Reserved

  Light Iron supervising colorist Corinne Bogdanowicz discusses her repeat collaboration with cinema...

  Read Article
• Panalux Allegra LED range provides enhanced versatility, color accuracy

  Available in multiple form factors and full-color and bi-color versions, lightweight heads and inn...

  Read Article
• Erik Messerschmidt, ASC & Ian Vertovec on the feature Devotion

  Given to Fly: Cinematographer Erik Messerschmidt, ASC and Light Iron supervising colorist Ian Vert...

  Read Article
• Cinematographer Abraham Martínez on National Treasure: Edge of History

  A Treasured Heritage: Cinematographer Abraham Martínez explores the cultural inspirations behind t...

  Read Article
• Lachlan Milne, ASC, ACS, NZCS on the feature The Inspection

  An Honest Examination: Cinematographer Lachlan Milne ASC, ACS, NZCS helps craft an observational a...

  Read Article
• Intimate and Epic

  Polly Morgan, ASC, BSC reflects on the welcome creative challenges and collaborations that were es...

  Read Article
• Cinematographer Alan Gwizdowski on Honk For Jesus. Save Your Soul.

  Honk for Your Format: Alan Gwizdowski ushers audiences through mixed-format megachurch mania as th...

  Read Article
• Cinematographer Luc Montpellier, CSC on Women Talking

  Shots That Speak Volumes: Cinematographer Luc Montpellier, CSC helps imbue meaning into every shot...

  Read Article
• True to Life

  Quyen Tran, ASC opens the book on the visual style of Netflix’s Maid.

  Read Article
• Stefan Duscio, ACS on the original series Shantaram

  Panatar, Shantaram: Stefan Duscio, ACS recounts the road to realizing the streaming series Shantar...

  Read Article
• Mystical Turns

  Cinematographer Mathieu Gaudet limns the mystical contours of director Lucas Delangle’s feature Ja...

  Read Article
• Through the Years

  Vincent De Paula, CSC discusses his cinematography on the era-spanning Netflix series Firefly Lane...

  Read Article
• Darius Khondji, ASC, AFC on the cinematography of Bardo

  Liminal Journey: Darius Khondji, ASC, AFC helps director Alejandro G. Iñárritu bring his vision fo...

  Read Article
• In Conversation With Mandy Walker, AM, ASC, ACS

  The cinematographer answers Panavision’s questions about her approach to the craft.

  Read Article
• The Making of Tesciowie (The In-Laws)

  Michał Englert, PSC reflects on the Polish feature and his passion for cinema.

  Read Article
• Laurent Tangy, AFC on his approach to the feature Mascarade

  Complementary Vision: Cinematographer Laurent Tangy, AFC reunited with writer-director Nicolas Bed...

  Read Article
• Revolution x Reinvention

  Cinematographer Oliver Ford shares his approach to lighting the spot that helped launch the Puma x...

  Read Article
• Keith Jenson on the Phoenix single "Tonight" featuring Ezra Koenig

  Till It's Dawn: Light Iron colorist Keith Jenson helps bridge the distant locales showcased in the...

  Read Article
• All the Reasons

  Cinematographer Ian Hurdle details the creative collaborations behind the scenes of the Paramore m...

  Read Article
• Eternal Hunger

  Director of photography James Beattie helps lend visual form to the gothic longing of the Curses t...

  Read Article
• Listen for the Call

  Cinematographer Andrew Droz Palermo discusses his approach to the dynamic, star-studded commercial...

  Read Article
• Love on the Margins

  Cinematographer Arseni Khachaturan offers a peek into the creative process behind director Luca Gu...

  Read Article
• Cinematographer Simon Reay on the series Lovely Little Farm

  Farming the Imagination: Cinematographer Simon Reay details the classic approach to the original s...

  Read Article
• A Collaboration With Panavision: Anastas Michos, ASC, GSC

  The cinematographer reflects on his creative journey.

  Read Article
• The Making of The School for Good and Evil

  John Schwartzman, ASC welcomes viewers onto the set of the Netflix feature.

  Read Article
• Incredible Journey

  Director of photography Manuel Dacosse speaks to his personal inspirations and the visual style of...

  Read Article
• The Making of Sonata

  Cinematographer Tomasz Augustynek, PSC discusses his approach to the visual style of the Polish fe...

  Read Article
• A Relationship to Remember

  Jeff Cronenweth, ASC and Light Iron supervising colorist Ian Vertovec reflect on the FilmLight Col...

  Read Article
• Un Mystery Crew Diferente

  Colorist Katie Jordan shines a light on the rich palette that complements the mysterious and macab...

  Read Article
• A Love Like This

  Light Iron senior colorist Ethan Schwartz offers a brief on the benefits of his early collaboratio...

  Read Article
• Cinematographer Marshall Adams, ASC: The Cinematography of Better Call Saul

  Call and Response: Cinematographer Marshall Adams, ASC shares how the camera created space for the...

  Read Article
• Cinematographer Andrew Wheeler on God's Country

  Guiding Principles: Cinematographer Andrew Wheeler offers his perspective on the feature God’s Cou...

  Read Article
• Cinematographer Zach Kuperstein and senior colorist Sam Daley on Barbarian

  A Look Beyond Horror: Cinematographer Zach Kuperstein and Light Iron senior colorist Sam Daley det...

  Read Article
• Cinematographer Jessica Lee Gagné on the aesthetic of Severance

  In Lieu of Lumon: Cinematographer Jessica Lee Gagné jogs viewers’ memory with C Series lenses and ...

  Read Article
• Cinematography of The Bear with DP Andrew Wehde

  Controlled Chaos in the Kitchen: Cinematographer Andrew Wehde lays out the ingredients that helped...

  Read Article
• Donald A. Morgan, ASC on the sitcom The Conners

  A New Arena: Donald A. Morgan, ASC credits career experiences, paintings and peers as inspiration ...

  Read Article
• Mystery Down Under

  Cinematographer Tyson Perkins shares the inspirations that influenced his approach to shooting the...

  Read Article
• Authenticity and Optimism

  Light Iron colorist Katie Jordan details the collaboration that led to a new look for The Chi’s fi...

  Read Article
• Cinematographer Mathieu Bertholet on L’Été éternité

  Desire for Cinema: Cinematographer Mathieu Bertholet details the visual approach for the French-la...

  Read Article
• Multi-Cam Matchmaking

  How I Met Your Father cinematographer Gary Baum, ASC recounts finding the right balance for the Hu...

  Read Article
• Director Blake Farber on the Kenyan commercial "Go Ahead"

  90-Second Portrait: Director Blake Farber retraces the journey to take the Kenyan commercial “Go A...

  Read Article
• Larry Fong, ASC behind the scenes of Chip 'n Dale: Rescue Rangers

  The Wheres and Whys and Whos: Cinematographer Larry Fong, ASC shares clues from behind the scenes ...

  Read Article
• Cinematographer Steven V. Silver, ASC on the sitcom B Positive

  Life, Love and Laughter: Steven V. Silver, ASC shares the methodology that helped lead to his Emmy...

  Read Article
• Cinematographer Autumn Durald Arkapaw, ASC on the series Loki

  Villainy Never Looked So Good: Autumn Durald Arkapaw, ASC discusses her Emmy-nominated work on the...

  Read Article
• Funny Business

  Emmy-nominated cinematographer Adam Bricker reflects on two seasons of the half-hour comedy series...

  Read Article
• In Conversation: Winning Time

  Cinematographers Todd Banhazl and Mihai Malaimare Jr. go one-on-one to recount their experiences s...

  Read Article
• The Old, the New and the Gritty

  Light Iron colorists Ian Vertovec and Ethan Schwartz detail the big-screen look of the FX series T...

  Read Article
• Polly Morgan, ASC, BSC on the feature Where the Crawdads Sing

  The Natural World: Polly Morgan, ASC, BSC discusses her collaboration with director Olivia Newman ...

  Read Article
• Cinematographer Natalie Kingston on Black Bird

  Deal With a Devil: Cinematographer Natalie Kingston guides viewers into the tense, dark heart of t...

  Read Article
• Mandy Walker, AM, ASC, ACS: The cinematography of Elvis

  Tribute to the King: Mandy Walker, AM, ASC, ACS reteams with director Baz Luhrmann to trace the pe...

  Read Article
• Light Iron solidifies management team with 2 key hires

  Andy Kaplan joins as Senior Vice President of Operations, Peter Lin as Director of Finance for inn...

  Read Article
• Different Worlds

  Tommy Maddox-Upshaw, ASC embraces the opportunity to craft a layered visual language for Showtime’...

  Read Article
• Championship Caliber

  Cinematographers Todd Banhazl and Mihai Malaimare Jr. share their game plan for crafting the vinta...

  Read Article
• The Making of Yesterday & Everybody's Talking About Jamie

  Christopher Ross, BSC takes viewers inside the creative process of both features.

  Read Article
• A Conversation With Producer Daniel Lupi

  The line producer of the upcoming Killers of the Flower Moon discusses past projects and his longt...

  Read Article
• A Collaboration With Panavision: Markus Förderer, ASC, BVK

  The cinematographer reflects on his early work behind the camera and shares his passion for techni...

  Read Article
• Outpost RC enables remote near-set dailies for a trio of productions

  The series Delilah, Reservation Dogs and American Horror Story employed a remote dailies workflow ...

  Read Article
• Extended Family

  Cinematographer Yasu Tanida reflects on his time behind the camera for all six seasons of This Is ...

  Read Article
• The Making of Red Notice

  Markus Förderer, ASC, BVK takes viewers behind the scenes of the Netflix feature.

  Read Article
• The Making of The Last Duel & House of Gucci

  Dariusz Wolski, ASC discusses his ongoing collaboration with director Ridley Scott and outlines th...

  Read Article
• The Legacy Continues

  Light Iron supervising colorist Scott Klein and additional colorist Jesús Borrego offer a sneak pe...

  Read Article
• The Making of 12 Mighty Orphans

  Cinematographer David McFarland discusses his approach to the period feature's visual language.

  Read Article
• Light Iron names Ian Kerner as VP of Business Development

  Kerner brings extensive post-production sales experience, further strengthens Light Iron’s evoluti...

  Read Article
• LEE Filters welcomes industry veteran Nick Lampke to its US team

  Lampke joins as operations manager to continue providing world class service and support to LEE Fi...

  Read Article
• Panavision companies showcase product portfolio at BSC Expo 2022

  Panavision, Panalux, LEE Filters and Direct Digital will share Stand 123 at Battersea Evolution in...

  Read Article
• Light Iron welcomes Charles Bunnag to colorist team

  Renowned colorist further strengthens bicoastal artist roster.

  Read Article
• A Collaboration With Panavision: Alice Brooks, ASC

  The cinematographer retraces the path that led to her career behind the camera.

  Read Article
• Colorful Combination of Characters

  Senior colorist Corinne Bogdanowicz shares her inspirations behind the vibrant modernization of Ch...

  Read Article
• The Making of tick, tick... BOOM!

  Alice Brooks, ASC brings viewers into her creative collaboration with director Lin-Manuel Miranda ...

  Read Article
• The Making of The Power of the Dog

  Ari Wegner, ACS discusses her creative approach to the Netflix feature directed by Jane Campion.

  Read Article
• Light Iron expands colorist roster, leadership team

  Colorist Arianna Shining Star joins industry-leading color team, Liam Ford welcomed as SVP of Engi...

  Read Article
• Cinematographer Ari Wegner, ACS on The Power of the Dog

  Raw Nature: Ari Wegner, ACS recounts her collaboration with director Jane Campion for the Netflix ...

  Read Article
• Make Taste, Not Waste

  Cinematographer Andrew Wheeler shares his game plan for Hellmann’s latest Super Bowl spot.

  Read Article
• Light Iron promotes Ethan Schwartz to Senior Colorist

  Recognition coincides with additional moves and promotions for Light Iron’s colorist team, includi...

  Read Article
• Personal Histories

  Alice Brooks, ASC recounts the journey that led her to the feature tick, tick… BOOM!

  Read Article
• Cinematographer Mihai Mălaimare Jr. on The Harder They Fall

  A Different Type of Western: Cinematographer Mihai Mălaimare Jr. employs a mix of optics with DXL2...

  Read Article
• Commercial Spotlight: Cinematographer Bron Moyi

  The cinematographer offers a behind-the-scenes look at shooting the three-part project The Trees R...

  Read Article
• All in the Family

  Light Iron supervising colorist Ian Vertovec discusses his collaboration with BMF cinematographer ...

  Read Article
• Light Iron Strengthens Leadership Team With Key Hires and Promotions

  Post-production services provider announces the promotion of Katie Fellion and Megan Marquis and w...

  Read Article
• Total World Domination

  Senior colorist Ethan Schwartz helps divine the supernatural look of What We Do in the Shadows Sea...

  Read Article
• Panalux unveil Panalux Power i-Series all-electric power solutions

  Company also expands Panalux Sonara LED range with new 3:2 form factor.

  Read Article
• Glitz, Glamor and Secrets

  Colorist Jesus Borrego discusses the creative approach to the color grade of Sacrifice.

  Read Article
• LEE Filters launch LEE Elements range of high-performance circular filters

  Innovative new filter range includes LEE’s renowned Stopper, polariser and ND technologies, allowi...

  Read Article
• Twice the Terror

  Supervising colorist Jeremy Sawyer details the distinct looks of American Horror Story’s 10th seas...

  Read Article
• Family Ties

  Light Iron Senior Colorist Sam Daley offers insights into the grading process for the HBO series S...

  Read Article
• Trevor Michael Brown and director Uga Carlini on the feature Angeliena

  Local Style: Cinematographer Trevor Michael Brown and director Uga Carlini detail their naturalist...

  Read Article
• Different Times

  Kramer Morgenthau, ASC takes Panavision behind the scenes of the period features Respect and The M...

  Read Article
• Panavision Sydney Services 'Shang-Chi'

  Large-format Sphero 65 optics contribute to the look of the Marvel blockbuster.

  Read Article
• Bearing Witness

  Cinematographer James Laxton, ASC discusses working with Panavision optics to craft the visual lan...

  Read Article
• LEE Filters expands LEE100 system with new filter holder for ultra-wide NIKKOR zoom

  Specially developed LEE100 holder enables filter coverage for ultra-wide zoom lens.

  Read Article
• Filmmaker Basics

  Presented in collaboration with Made In Her Image, this series explores fundamental concepts that ...

  Read Article
• 5 Tips for Lighting Sci-Fi

  Director Malakai and cinematographer Aiden Chapparone share techniques for creating visually rich,...

  Read Article
• LEE Filters Expands its Global Presence with Opening of LEE Filters Canada

  Colin Sangster appointed Country Manager for Canada to establish dedicated sales and support acros...

  Read Article
• Panavision Supports Disney Launchpad

  Panavision provides camera and lens packages for the six short films of Season 1.

  Read Article
• 5 Lighting Techniques to Elevate Your Shot

  Cinematographer Alissa Rooney offers tips for lighting scenes in dynamic ways and always in suppor...

  Read Article
• Celebrating Community

  Cinematographer Alice Brooks discusses using DXL2 and G Series anamorphics to craft a big look for...

  Read Article
• Cinematographer Diana Olifirova on We Are Lady Parts

  Rockin' in the Free World: Cinematographer Diana Olifirova offers insights into her work on the co...

  Read Article
• Calculated Moves

  Cinematographer Jack Donnelly discusses windowing DXL2 for 6K capture and pairing the camera with ...

  Read Article
• Cinematographer Zac Nicholson, BSC on The Pursuit of Love

  Historical Romance: Zac Nicholson, BSC offers a look behind the scenes at the lighting and visual ...

  Read Article
• High Concept

  Cinematographer Gareth Place describes collaborating with director Ryan Kruger to evoke the look o...

  Read Article
• Hidden Truths

  Cinematographer Trevor Forrest discusses combining the Millennium DXL camera with Primo 70 optics ...

  Read Article
• 5 Ways One Camera Move Can Be Used to Different Effect

  Cinematographer Andrea Gonzalez Mereles explores how a moving camera can provoke different feeling...

  Read Article
• Adam Etherington, BSC on A Discovery of Witches Season 2

  Back in Time: Adam Etherington, BSC partners with Panavision and Panalux to visualize a centuries-...

  Read Article
• Streamlined

  This series of one-sheets offers technical insights focused on maximizing workflow efficiencies an...

  Read Article
• Jeffrey A. Reyes joins LEE Filters as US General Manager

  Reyes brings extensive experience in sales and business development, connections to creative commu...

  Read Article
• 5 Camera Moves and Their Effect on Your Audience

  Cinematographer Mia Cioffi Henry discusses a range of techniques for moving the camera. Presented ...

  Read Article
• Royal Trimmings

  Cinematographer Joe “Jody” Williams and director Craig Brewer partner with Panavision and Light Ir...

  Read Article
• Light Iron Welcomes Senior Colorist Sam Daley to New York Roster

  Veteran colorist bolsters post-production services provider’s footprint in New York market, global...

  Read Article
• Commercial Spotlight: Alexis Zabé, ASC, AMC

  The cinematographer discusses three recent spots shot in large format with DXL2.

  Read Article
• 5 Ways Focal Length Affects Your Subject

  Get your lens techniques on point with this primer on how the choice of focal length affects the i...

  Read Article
• The Main Event

  Tami Reiker, ASC and Light Iron supervising colorist Ian Vertovec detail their collaboration on di...

  Read Article
• Made In Her Image and Panavision Introduce The Catalyst Cohort

  Applications are being accepted through March 16, 2021, for the inaugural edition of this educatio...

  Read Article
• Far From Home

  Writer-director Ekwa Msangi and cinematographer Bruce Francis Cole detail the visual language of F...

  Read Article
• The Big Picture

  Director Robert Connolly and cinematographer Stefan Duscio discuss crafting the Australian box-off...

  Read Article
• Sundance 2021

  The artists behind a number of this year’s Sundance Film Festival titles offer a look behind the s...

  Read Article
• A Question of Strength

  Cinematographer Justin Derry embraces 35mm film and Ultra Speed optics for the short film Bruiser.

  Read Article
• Mark Furssedonn appointed Managing Director of Panalux

  Panavision Group veteran takes on increased leadership role with lighting rental division, reaffir...

  Read Article
• Commercial Spotlight: Cinematographer Simona Susnea

  Cinematographer Simona Susnea traces her career behind the camera back to an early interest in jou...

  Read Article
• Cinematographer Hillary Spera on Run and The Craft: Legacy

  The Witching Hours: Cinematographer Hillary Spera takes Panavision behind the scenes of the featur...

  Read Article
• Zoë Iltsopoulos Borys Appointed Vice President and General Manager of Panavision Chicago

  Industry veteran will continue Panavision’s commitment to Chicago’s filmmaking community while exp...

  Read Article
• Holiday Adventure

  Don Burgess, ASC and Light Iron’s Corinne Bogdanowicz reteam for The Christmas Chronicles: Part Tw...

  Read Article
• Light Iron Expands Innovative Solutions for Remote Collaboration

  Post-production services provider continues to enable creativity without compromise, announcing co...

  Read Article
• Julia Swain & Teodora Totoiu on the documentary Lady Cameraman

  Beacons of Hope: Director Julia Swain, cinematographer Teodora Totoiu and colorist Corinne Bogdano...

  Read Article
• Commercial Spotlight: Cinematographer Kai Saul

  Panavision recently caught up with Saul to discuss the Motorola “Razr” smartphone commercial, whic...

  Read Article
• Cinematographer Don Burgess, ASC on The Witches

  A Mouse's Tale: Don Burgess, ASC reteams with director Robert Zemeckis to adapt The Witches, Roald...

  Read Article
• Happy Hauntings

  Cinematographer Seamus Tierney captures the tricks and treats of Hubie Halloween in large format w...

  Read Article
• Filmmaker Focus: Em Weinstein

  Em Weinstein discusses the making of their Outfest Grand Jury Prize-winning short, In France Miche...

  Read Article
• Cinematographer Stephan Pehrsson, BSC on the series Utopia

  The Color of Paradise: Stephan Pehrsson, BSC shoots on DXL2 and partners with Light Iron to realiz...

  Read Article
• Personal Destiny

  Mandy Walker, ASC, ACS employs Panavision optics for Mulan, an intimate portrait set against an ep...

  Read Article
• DXL2 Receives “Filmed In Imax” Certification

  Panavision’s proprietary large-format camera is now an approved capture system for IMAX originatio...

  Read Article
• Back to Work

  Cinematographers Deepa Keshvala, James Rhodes, Robbie Ryan, BSC, ISC and Nanu Segal share their on...

  Read Article
• Moral History

  The filmmakers behind Yes, God, Yes recount their journey to bring the feature to fruition.

  Read Article
• Anastas Michos, ASC, GSC on The Kissing Booth 2 and The Empty Man

  Emotional Vibes: With The Kissing Booth 2 and The Empty Man, Anastas Michos, ASC, GSC demonstrates...

  Read Article
• Through Her Lens

  Made In Her Image and Panavision partner for a virtual roundtable spotlighting women filmmakers of...

  Read Article
• Cinematographer Quyen Tran & colorist Ethan Schwartz on Palm Springs

  Infinite Jest: Cinematographer Quyen Tran employs T Series optics and reteams with colorist Ethan ...

  Read Article
• Battle Stations

  Shelly Johnson, ASC shoots large-format 8K with DXL and Sphero 65 lenses to captures the close-qua...

  Read Article
• Cinematographer Oren Soffer on the short film See You Soon

  Depth of Emotion: Cinematographer Oren Soffer crafts a nuanced portrait of an intimate weekend for...

  Read Article
• Cinematographer Haris Zambarloukos, BSC, GSC on Artemis Fowl

  Magic and Mystery: Haris Zambarloukos, BSC, GSC helps to ground Artemis Fowl’s high-flying action ...

  Read Article
• Taking Action With Made In Her Image

  In collaboration with Made In Her Image, Panavision, Light Iron and LEE Filters announce a range o...

  Read Article
• Cinematographer Jas Shelton on Homecoming's second season

  Playing Tricks With the Mind: Cinematographer Jas Shelton achieves continuity with a twist using D...

  Read Article
• Patrick Cady, ASC & supervising colorist Scott Klein on Bosch Season 6

  Detective Story: Patrick Cady, ASC details the procedures he and his collaborators followed to ta...

  Read Article
• Sure Shots

  Cinematographer Autumn Durald Arkapaw orchestrates six cameras for the live-performance documentar...

  Read Article
• Jeff Cronenweth, ASC: The cinematography of Tales From the Loop

  Golden-House Sci-Fi: Jeff Cronenweth, ASC reteams with Light Iron supervising colorist Ian Vertove...

  Read Article
• Cinematographer John Conroy, ISC on Penny Dreadful: City of Angels

  Fact-Finding in the Sunshine: John Conroy, ISC helps transport Showtime’s horror franchise Penny D...

  Read Article
• DP Catherine Goldschmidt on the made-for-mobile series Dummy

  Smart Solutions for Quibi's Dummy: Panavision and Light Iron help DP Catherine Goldschmidt pioneer...

  Read Article
• Uncanny Abilities

  Peter Deming, ASC helps to craft a fresh take on the X-Men franchise with The New Mutants

  Read Article
• Cinematographer Jacques Jouffret and director Dave Wilson on Bloodshot

  A Fight to Remember: Cinematographer Jacques Jouffret and director Dave Wilson carve out an aggres...

  Read Article
• Framing the Future

  Panavision and the ASC Vision Committee partnered for a day of education, inspiration, and support...

  Read Article
• Cinematographer Natasha Braier, ASC, ADF on Honey Boy

  Family Matters: Natasha Braier, ASC, ADF draws on Panavision’s lens inventory to lend a texture of...

  Read Article
• Panalux unveils new lighting, power solutions complementing Panavision brands’ product portfolio at BSC Expo 2020

  Panalux Sonara 4:4 LED soft light debuts alongside new h40 hybrid generator from Panalux Power.

  Read Article
• Dan Mindel, ASC, BSC, SASC: The cinematography of Star Wars Episode IX

  The Circle Is Complete: Honoring the visual tradition of the first eight films, Dan Mindel, ASC, B...

  Read Article
• Panalux Launches New LED Soft Light, Hybrid Generator at BSC Expo 2020

  Innovative new lighting and power solutions bolster lighting technicians’ creative control and tak...

  Read Article
• Panavision Supports the Artistry of Independent Filmmakers at Sundance 2020

  Leading filmmakers turn to Panavision and Light Iron for production and post-production services a...

  Read Article
• The Camera Behind Just Mercy

  Cinematographer Brett Pawlak and Light Iron Supervising Colorist Ian Vertovec discuss the use of P...

  Read Article
• Finding the Truth in the Look: Just Mercy

  Light Iron Supervising Colorist Ian Vertovec and cinematographer Brett Pawlak detail what went int...

  Read Article
• Relationships Within Just Mercy

  Just Mercy cinematographer Brett Pawlak and Light Iron Supervising Colorist Ian Vertovec explore t...

  Read Article
• The Making of Zana

  Filmmakers Antoneta and Sevdije Kastrati discuss the path that brought them to their 2019 feature ...

  Read Article
• Ford v Ferrari Delivers Speed and Danger With Classic Approach

  Phedon Papamichael, ASC, GSC drives innovation with expanded C Series glass.

  Read Article
• Cinematographer Rachel Morrison, ASC on the feature Seberg

  Visualizing Two Pespectives: Rachel Morrison, ASC shoots 35mm with C Series anamorphic glass to co...

  Read Article
• Filmmaker Focus: Monika Lenczewska, PSC

  The cinematographer's imagery has earned accolades on the international film festival circuit and ...

  Read Article
• Cinematographer Tim Orr on the series Dickinson

  Success Is Counted Sweetest: Cinematographer Tim Orr on choosing to shoot with the Panavision Mill...

  Read Article
• Tales From the Shoot: Ford v Ferrari

  Phedon Papamichael, ASC, GSC recounts stories to Panavision’s Dan Sasaki about the production of F...

  Read Article
• In Conversation: Ford v Ferrari

  Panavision’s Dan Sasaki joins Phedon Papamichael, ASC, GSC in conversation about Papamichael’s car...

  Read Article
• Experience Panavision’s End-to-End Ecosystem at 2019 Camerimage

  PanaVillage exhibit space demonstrates integrated tools and technology from Panavision, LEE Filter...

  Read Article
• Gavin Kelly Gives AHS: 1984 a Retro Horror Look

  FX's American Horror Story series goes retro for Season 9, back to the heyday of low-budget horror...

  Read Article
• Fred Murphy, ASC Finds the Right Color and Contrast for CBS’ Evil

  Exploring the line between religion and science form the foundation for the CBS mystery series Evi...

  Read Article
• Colorist Corinne Bogdanowicz Sees Through Transparent

  Tune in to the final installment of Amazon’s Transparent.

  Read Article
• Polly Morgan Launches Lucy in the Sky

  The cinematographer takes Panavision behind the scenes of the feature, which she captured with DXL...

  Read Article
• James Chressanthis, ASC, GSC Embeds Subtle Iconography Into Greenleaf

  With the fourth season of Greenleaf, the enthralling saga set in an African American megachurch, J...

  Read Article
• Filmmaker Focus: Todd Banhazl

  The cinematographer speaks with Panavision about his professional journey behind the camera.

  Read Article
• Seamus Tierney Gets Brittany Runs a Marathon Into Visual Shape

  The cinematographer shares his experiences collaborating with Panavision and Light Iron for direct...

  Read Article
• A Creative Refuge For Bernadette

  Writer-director Richard Linklater and cinematographer Shane Kelly worked with Panavision and Light...

  Read Article
• Robert Richardson, ASC: The cinematography of Once Upon a Time... in Hollywood

  A Retro Look With a Twist: Robert Richardson, ASC employed Panavision anamorphic optics for writer...

  Read Article
• Light Iron Enlists Renowned Industry Colorist Scott Klein

  Post facility also expands footprint to accommodate growing business.

  Read Article
• Autumn Durald Arkapaw Chooses Panavision Anamorphics to Frame The Sun Is Also a Star

  The cinematographer details her approach to director Ry Russo-Young's YA drama.

  Read Article
• George Richmond, BSC Crafts Period Looks With Anamorphic Optics for Rocketman

  The cinematographer details the visual style of director Dexter Fletcher's biopic about Elton John...

  Read Article
• Panavision’s Camera-to-Finish Imaging Ecosystem Featured at Cine Gear 2019

  Company launches LINK HDR, a revolutionary new system that empowers creatives to view content in H...

  Read Article
• Award Contenders Enlist Light Iron for Post Services

  Popular series utilize facilities across North America.

  Read Article
• Colorist Jeremy Sawyer Heads to Light Iron

  Sawyer returns to Light Iron as senior colorist.

  Read Article
• Tim Ives, ASC Captures the Story of Bob Fosse and Gwen Verdon

  For the FX miniseries Fosse/Verdon, the cinematographer worked with Panavision Primo 70 optics.

  Read Article
• Lighting Spotlight: Gaffer Tom Gates

  Gaffer Tom Gates has been a mainstay on HBO's mega-hit Game of Thrones since Season 1. We chatted ...

  Read Article
• The Chi: Bringing Life On The Street Closer To Home

  Cinematographer Abraham Martinez explores Chicago's South Side for the Showtime series' second sea...

  Read Article
• Christian Sprenger Turns To Panavision To Create Super Spots

  The cinematographer pulls back the curtain on his recent commercial work.

  Read Article
• Panavision Showcases Complete Imaging Ecosystem at BSC Expo 2019

  Panavision, Panalux and LEE Filters to demonstrate latest innovations that display the breadth and...

  Read Article
• Cinematographer Matthew Clark on the feature Late Night

  Creating the Look of Late Night: Cinematographer Matthew Clark teams with Panavision and Light Iro...

  Read Article
• Sundance Filmmakers Turn to Panavision for Production and Post Services

  Over 25 buzzworthy titles in 2019 Sundance lineup turned to Panavision and Light Iron for camera, ...

  Read Article
• Lighting Spotlight: Lighting Designer Freddie Bonfanti

  On the heels of London Fashion Week S/S 2020 we spoke with Freddie Bonfanti about what it takes to...

  Read Article
• Lighting Spotlight: Gaffer Andy Cole

  Gaffer Andy Cole talks about his experience working on the Oscar-nominated feature The Favourite a...

  Read Article
• Mihai Malaimare Jr. on the cinematography of The Hate U Give

  The Millennium DXL camera and mixed lens formats underscore director George Tillman Jr.'s feature ...

  Read Article
• Exceptional Women in Production & Post 2018

  StudioDaily is proud to announce its first roster of Exceptional Women in Production and Post.

  Read Article
• Panavision Highlights the Continuing Expansion of the Millennium DXL2 Ecosystem at Cine Gear Expo

  Expo attendees will interact with new 8K workflow, breakthrough filter technology and four new lar...

  Read Article
• New Panavision Millennium DXL2 Camera Debuts At BSC Expo

  The large-format camera is the heart of Panavision's complete imaging ecosystem.

  Read Article
• Dan Hammond Named Vice President and General Manager of Panavision Hollywood

  Responsibilities will include overseeing daily operations, leveraging facility's service and suppo...

  Read Article
• Panavision Brings the Millennium DXL Camera and Large-Format Lenses to Camerimage 2017

  Celebrating the art and craft of cinematography, Panavision will present a master class with John ...

  Read Article
• Panavision Names Johanna Gravelle Canada's National Sales Manager

  Company announces Jeffrey Flowers to retire at the end of 2017.

  Read Article
• Bill Pope on the cinematography of Baby Driver

  The cinematographer takes viewers under the hood of writer-director Edgar Wright's latest genre-be...

  Read Article
• Lighting Spotlight: Gaffer Scott Napier

  Scottish gaffer Scott Napier talks about his experience working on the set of hit series Outlander...

  Read Article
• Cinematographer Linus Sandgren, FSF on La La Land

  The director of photography discusses the vibrant visuals of writer-director Damian Chazelle's cel...

  Read Article
• Cinematographer Ben Davis BSC on Doctor Strange

  Doctor Strange marks the third Marvel film for Ben Davis BSC, preceded by the global hits Avengers...

  Read Article
• Mauro Fiore, ASC on the cinematography of The Magnificent Seven

  Director Antoine Fuqua and cinematographer Mauro Fiore, ASC embraced anamorphic lenses for their r...

  Read Article
• The Five Pillars of Anamorphic

  Panavision’s Dan Sasaki explores the key attributes that distinguish anamorphic imagery.

  Read Article
• The Aesthetics of Anamorphic in Film and Digital

  Panavision’s Dan Sasaki details the anamorphic optics chosen — and the modifications made — for a ...

  Read Article
• The Five Pillars of Anamorphic – Organic Focus Roll-Off

  Natural focus cues in anamorphic imagery help viewers understand depth and positioning in space.

  Read Article
• The Five Pillars of Anamorphic – Bokeh

  The way an image looks when it’s out of focus can be just as important as when it’s in focus.

  Read Article
• The Five Pillars of Anamorphic – Flare

  Flares are synonymous with anamorphic. Panavision’s Dan Sasaki explains why.

  Read Article
• The Five Pillars of Anamorphic – Disproportionate Breathing

  Dan Sasaki of Panavision discusses the distinct breathing characteristics that result from the dif...

  Read Article
• The Five Pillars of Anamorphic – Magnification and Perspective

  Panavision’s Dan Sasaki explores the qualities that lend anamorphic capture a more natural perspec...

  Read Article
• The Artistry of Anamorphic

  An introduction to the Five Pillars of Anamorphic, presented by Panavision’s Dan Sasaki.

  Read Article
• Cinematographer Barry Ackroyd, BSC on The Big Short

  Partnering with director Adam McKay, Ackroyd brought documentary realism to the dark comedy about ...

  Read Article
• Lighting Spotlight: Gaffer Andrew Taylor

  Gaffer Andrew “Tala” Taylor recounts the peculiarities of filming The Bastard Executioner in Wales...

  Read Article
• Cinematographer John Schwartzman, ASC on Jurassic World

  The veteran cinematographer teams with director Colin Trevorrow for the ambitious fourth installme...

  Read Article
• Cinematographer John Toll ASC on the Netflix original series Sense8

  John Toll ASC navigates a global production with Panavision.

  Read Article
• Lighting Spotlight: Cinematographer Kit Fraser

  From his days as a student through his career as a cinematographer, Kit Fraser has received unpara...

  Read Article
• Cinematographer Romain Lacourbas on Marco Polo

  The director of photography discusses his lens choices and collaborating with his co-cinematograph...

  Read Article

There are no results that match your filtering.