Cinematographer Rachel Morrison, ASC on the feature Seberg
Visualizing Two Pespectives: Rachel Morrison, ASC shoots 35mm with C Series anamorphic glass to co...
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Cinematographer Tim Orr on the series Dickinson
Success Is Counted Sweetest: Cinematographer Tim Orr on choosing to shoot with the Panavision Mill...Read Article -
Tales From the Shoot: Ford v Ferrari
Phedon Papamichael, ASC, GSC recounts stories to Panavision’s Dan Sasaki about the production of F...Read Article -
In Conversation: Ford v Ferrari
Panavision’s Dan Sasaki joins Phedon Papamichael, ASC, GSC in conversation about Papamichael’s car...Read Article -
Experience Panavision’s End-to-End Ecosystem at 2019 Camerimage
PanaVillage exhibit space demonstrates integrated tools and technology from Panavision, LEE Filter...Read Article -
Gavin Kelly Gives AHS: 1984 a Retro Horror Look
FX's American Horror Story series goes retro for Season 9, back to the heyday of low-budget horror...Read Article -
Fred Murphy, ASC Finds the Right Color and Contrast for CBS’ Evil
Exploring the line between religion and science form the foundation for the CBS mystery series Evi...Read Article -
Colorist Corinne Bogdanowicz Sees Through Transparent
Tune in to the final installment of Amazon’s Transparent.
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Polly Morgan Launches Lucy in the Sky
The cinematographer takes Panavision behind the scenes of the feature, which she captured with DXL...Read Article -
James Chressanthis, ASC, GSC Embeds Subtle Iconography Into Greenleaf
With the fourth season of Greenleaf, the enthralling saga set in an African American megachurch, J...Read Article -
Filmmaker Focus: Todd Banhazl
The cinematographer speaks with Panavision about his professional journey behind the camera.
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Seamus Tierney Gets Brittany Runs a Marathon Into Visual Shape
The cinematographer shares his experiences collaborating with Panavision and Light Iron for direct...Read Article -
A Creative Refuge For Bernadette
Writer-director Richard Linklater and cinematographer Shane Kelly worked with Panavision and Light...Read Article -
Robert Richardson, ASC: The cinematography of Once Upon a Time... in Hollywood
A Retro Look With a Twist: Robert Richardson, ASC employed Panavision anamorphic optics for writer...Read Article -
Light Iron Enlists Renowned Industry Colorist Scott Klein
Post facility also expands footprint to accommodate growing business.
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Autumn Durald Arkapaw Chooses Panavision Anamorphics to Frame The Sun Is Also a Star
The cinematographer details her approach to director Ry Russo-Young's YA drama.
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