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Panavision New York Supports Tim Ives, ASC Capturing the Story of Bob Fosse and Gwen Verdon

Cinematographer Tim Ives, ASC was looking forward to some downtime at home in New York City upon wrapping another season in Atlanta of the Netflix hit series Stranger Things. That is, until he heard the FX miniseries Fosse/Verdon would be going into production in his backyard. Fosse/Verdon chronicles the tumultuous and creatively brilliant relationship between legendary director-choreographer Bob Fosse and renowned dancer Gwen Verdon.

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The Chi: Bringing Life on the Street Closer to Home

One of the strengths of the acclaimed series The Chi, created by Lena Waithe, is its multifaceted take on the experiences of living in Chicago’s South Side. It also does not shy away from the big issues that impact the city. Indeed, the nuanced complexity of its storylines have been likened to The Wire.

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Christian Sprenger Turns to Panavision to Create Super Spots

Cinematographer Christian Sprenger was busy this winter, shooting not one but two commercial spots that debuted during Super Bowl LIII. For TurboTax Live, he shot a series of commercials and a teaser leading up to “RoboChild,” which shows that robot A.I. isn't ready to replace live CPAs. And in the celebrity-filled “Not Everything Makes the Cut” for Amazon's Alexa and its surrounding teasers, he shot a variety of situations where Amazon Alexa integration failed miserably. With so much on his plate, Sprenger turned to Panavision Hollywood as his one-stop camera shop.

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Creating the Look of Late Night

A legendary talk show host employs a young scriptwriter and sparks fly in the new indie feature Late Night, premiering at the Sundance Film Festival. Written by and starring Mindy Kaling, and co-starring Emma Thompson, the set-up depicts them as poles apart in generation and culture, adding further twists in the comedy.

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Panavision Showcases Complete Imaging Ecosystem at BSC Expo 2019

  • New features for Millennium DXL Ecosystem include wireless audio feed (D2E v2.0), C-Motion F.I.Z. wireless control compatibility, and DXL Control app for Android
     
  • Proprietary DXL-M Module and accessory package for RED DSMC2 cameras presented with new customized options

 

  • Panalux and LEE Filters to demonstrate latest innovations that display the breadth and versatility of Panavision’s integrated portfolio of products
     
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Sundance Filmmakers Turn to Panavision for Production and Post Services

Over 25 Buzzworthy Titles in 2019 Sundance Lineup Entrusted Panavision and Light Iron for Camera, Lens and Finishing Expertise

WOODLAND HILLS, CA (January 17, 2019) – As entertainment industry luminaries prepare to swarm Park City for the Sundance Film Festival, Panavision and Light Iron (Panavision’s post production subsidiary) are proud to announce their collaborations with filmmakers on more than 25 projects screening or competing at the 2019 event (Jan. 24 – Feb. 3). The independent filmmakers behind these unique stories leveraged the innovative services of Panavision and Light Iron to provide a full range of offerings from gear to final deliverables.

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Making Mrs. Maisel Look Marvelous

If you’ve got a winning recipe then you don’t change ingredients. Amazon’s second season of The Marvelous Mrs. Maisel wisely kept faith with the talent in front and behind the camera which made the period comedy drama an Emmy®-winning smash.

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The Millennium DXL and Mixed Lens Formats Underscore The Hate U Give

First a short story, then a debut novel aimed at young adults, and now a feature film, The Hate U Give sprang from the experiences of Angie Thomas. The narrative incorporates incidents of young African-Americans and law enforcement, many of which are unfair and some even fatal. The novel debuted at number one on The New York Times best-seller list in February 2017, and the film premiered at the Toronto International Film Fest less than a year and a half later.

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