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Happy Hauntings

Cinematographer Seamus Tierney captures the tricks and treats of Hubie Halloween in large format with DXL2.

Hubert Shubert “Hubie” Dubois was born and raised in Salem, Mass. He loves his hometown, and as Salem’s self-appointed “official volunteer Halloween helper,” he makes it his duty every October 31 to ensure a safe and fun holiday is enjoyed by all. But when a patient at the nearby Westfield State Mental Hospital goes missing, a mystery is set in motion that will change the town, and Hubie’s life, forever.

Stephan Pehrsson, BSC shoots on DXL2 and partners with Light Iron to realize the vibrant visuals of the series Utopia.

The comic book Dystopia tells the story of Jessica Hyde, a young girl on the run from the evil Mr. Rabbit, who holds Jessica’s scientist father captive and forces him to create unthinkable biological horrors. Written and illustrated by an anonymous artist, Dystopia has earned legions of fans, some of whom have found far deeper meaning in its pages and believe clues to real-world viruses and pandemics are layered into its artwork.

Cinematographer Autumn Durald Arkapaw orchestrates six cameras for the live-performance documentary feature Beastie Boys Story.

In the early 1980s, three friends embarked on what would become a 30-year adventure. Collectively known as Beastie Boys, the trio comprised Adam Yauch, Michael Diamond and Adam Horovitz — aka MCA, Mike D and Ad-Rock, respectively. Though they grew out of New York City’s punk scene, they soon embraced hip-hop, and as the years progressed, their creative output charted their growth as artists and as people.

Mandy Walker, ASC, ACS employs Panavision optics for Mulan, an intimate portrait set against an epic backdrop.

In Disney’s live-action feature Mulan, the eponymous hero (portrayed by Yifei Liu) disguises herself as a man and joins the Chinese army in order to spare her father from having to return to war. Through the trials that follow, she unlocks her hidden potential and embraces her true identity.

The filmmakers behind "Yes, God, Yes" recount their journey to bring the feature to fruition

In the early aughts, in a small Iowa town, Alice — a student at the local Catholic high school — enjoys watching Titanic and testing her knowledge of movie titles with word scrambles played in online chat rooms. When one of her internet encounters takes an unexpected turn, she suddenly discovers there’s pleasure to be had in pleasuring oneself. Soon thereafter, she attends a four-day Catholic retreat, where she struggles to reconcile her nascent urges with the prospect of eternal judgment.

With "The Kissing Booth 2" and the upcoming "The Empty Man," Anastas Michos, ASC, GSC demonstrates his penchant for working across genres

“What are we going to talk about today?” cinematographer Anastas Michos, ASC, GSC asks almost immediately after answering his phone. It’s late July when Panavision connects with Michos, and though the vast majority of productions had ground to a halt back in March due to COVID-19, the cinematographer has managed to keep busy while also taking all necessary precautions to stay healthy and safe. After doing some shooting around New York City for a documentary about the pandemic directed by fellow ASC member Ellen Kuras, Michos lifted anchor and has recently been sailing along the East Coast. “Isolating socially became ‘let me go commune with nature,’ just to put a different spin on it,” he shares.

Cinematographer Quyen Tran employs T Series optics and reteams with colorist Ethan Schwartz for the existential time-loop comedy "Palm Springs"

Shelly Johnson, ASC shoots large-format 8K with DXL and Sphero 65 lenses to captures the close-quarters naval drama "Greyhound"

The World War II action drama Greyhound puts the audience on board a U.S. destroyer with its heroic but inexperienced captain and crew as they battle to protect a convoy of merchant vessels from wolf packs of U-Boats in the North Atlantic. It’s a fictional account for which authenticity was the key. Established in the screenplay written by Tom Hanks — who also stars as Navy Commander Ernest Krause — that authenticity was reinforced throughout the production by director Aaron Schneider and cinematographer Shelly Johnson, ASC.

COVID-19 UPDATE

COVID-19 UPDATE

Now Playing

Happy Hauntings

Cinematographer Seamus Tierney captures the tricks and treats of Hubie Halloween in large format with DXL2.

The Color of Paradise

Stephan Pehrsson, BSC shoots on DXL2 and partners with Light Iron to realize the vibrant visuals of the series Utopia.

Sure Shots

Cinematographer Autumn Durald Arkapaw orchestrates six cameras for the live-performance documentary feature Beastie Boys Story.

Personal Destiny

Mandy Walker, ASC, ACS employs Panavision optics for Mulan, an intimate portrait set against an epic backdrop.

Moral History

The filmmakers behind "Yes, God, Yes" recount their journey to bring the feature to fruition

Emotional Vibes

With "The Kissing Booth 2" and the upcoming "The Empty Man," Anastas Michos, ASC, GSC demonstrates his penchant for working across genres

Infinite Jest

Cinematographer Quyen Tran employs T Series optics and reteams with colorist Ethan Schwartz for the existential time-loop comedy "Palm Springs"

Battle Stations

Shelly Johnson, ASC shoots large-format 8K with DXL and Sphero 65 lenses to captures the close-quarters naval drama "Greyhound"

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