Features

Bill Pope's Cinematography for Baby Driver Has Panavision Under the Hood

Is it a heist film, a love story, a comedy, an actioner or perhaps a musical? Baby Driver is all of them, straight from the genre-bending mind of writer-director Edgar Wright. Baby-faced Baby is a crack getaway driver recruited for a job that threatens a new love. He wants out, but the heist crew isn't so accommodating. And all this plays out to the soundtrack pulsating from Baby's earbuds. The film from Sony Tristar features Ansel Elgort, Kevin Spacey, Jamie Foxx, Jon Hamm, Lily James, Jon Bernthal and a Subaru.

Eight seemingly disparate people from around the world have become linked. Through telepathy and a kind of astral projection, they bond and help each other using the others’ strengths to fight against a sinister force that is out to eliminate them. Such is the premise for the mind-tripping Netflix original series Sense8, created by J. Michael Straczynski, and Lana and Lilly Wachowski, the visual duo behind The Matrix trilogy and V for Vendetta.

Sam Levy’s calling card features distinctive films like Frances Ha, While We’re Young and Wendy and Lucy. On his latest project, HBO’s Crashing, Levy’s deft touch with the human condition also came in handy. The series centers on a stand-up comedian Pete Holmes as he struggles to make it in New York City. As a cinematographer who began his career in NYC, Levy could relate.

Linus Sandgren, FSF, whose credits include American Hustle and Promised Land, earned his first Academy Award® nomination on La La Land – one of 14 Oscar® nominations for the acclaimed film.

The Founder is John Schwartzman’s third feature film with director John Lee Hancock, and like their 2013 collaboration Saving Mr. Banks, the new film is a period look at an American icon.

From its founding in 1954 as a maker of widescreen CinemaScope lenses, through today’s stunning large-format imagery, Panavision has been designing and building lenses that deliver breathtaking moving pictures.

Don Burgess, ASC trusts Light Iron. His last seven films can attest, so Burgess chose Light Iron to support him again with digital dailies and post finishing services on Allied.

Ben Davis, BSC has become an old hand in the Marvel universe. Doctor Strange marks his third Marvel film as director of photography, preceded by the global hits Avengers: Age of Ultron and Guardians of the Galaxy.

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Features

Bill Pope's Cinematography for Baby Driver Has Panavision Under the Hood

Sense8: John Toll, ASC Navigates a Global Production with Panavision

Blending Comedy and Melancholy for HBO's Crashing

Blending Hollywood Magic with Realism for La La Land

The Founder Chronicles the Birth of an American Institution

Panavision Drives Innovation in Large Format Cinematography

Don Burgess Aligns with Light Iron and Panavision for Allied

Large Format Lenses Right Choice for Visual Scope of Doctor Strange

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