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PanavisionLenses
Since 1968, Panavision C Series anamorphic primes have been the go-to choice for filmmakers looking for a compact, lightweight anamorphic lens. Characterized by a graduated depth of field, predictable full-field performance at all apertures, a pronounced anamorphic flare, and a flattering bokeh, these lenses impart an organic feel that many cinematographers prefer over the often sterile look of many modern-day optics.
focal lengths
fastest lens
| Focal Length | T-Stop | Close Focus (in) | Weight (lbs) | Length (in) | Front Diameter (in) |
|---|---|---|---|---|---|
| 35 | 3 | 48 | 4.8 | 5.3 | 4.44 |
| 35 | 2.3 | 33 | 5.4 | 6 | 4.44 |
| 40 | 2.8 | 30 | 3.7 | 4.6 | 3.75 |
| 50 | 2.3 | 30 | 5.4 | 5.8 | 3.75 |
| 60 | 2.8 | 20 | 4 | 6.13 | 3.75 |
| 75 | 2.5 | 54 | 3.6 | 5.6 | 3.31 |
| 100 | 2.8 | 54 | 4.6 | 7.8 | 3.75 |
| 150 | 3.5 | 60 | 6.8 | 10.1 | 3.75 |
| 180 | 2.8 | 84 | 8 | 12.4 | 3.75 |
C Series technology has served as a foundation for later generations of Panavision optics, and in turn has benefited from the retrofitting of significant design enhancements.
C Series lenses can intercut with other Panavision anamorphics such as E Series, Primo Anamorphic, and G Series lenses.
With their compact size and light weight, C Series lenses are well-suited to handheld, Steadicam, and other applications.
