TV Credits

Title: Good Girls
Year: 2018
Directors:
Cinematographer: Jerzy Zielinski
Camera(s): Arri Alexa PH, Arri Alexa Mini
Lenses: Primo Primes, Primo Close Focus, Primo Zooms
Title: The Looming Tower
Year: 2018
Directors:
Cinematographer: Jim Denault
Camera(s): Arri Alexa Mini
Lenses: Leica Summilux-C
Title: Ash Vs. The Evil Dead
Year: 2018
Directors:
Cinematographer: Dave Garbett
Camera(s): Arri Alexa Mini
Lenses: Primo Primes
Title: Marseille
Year: 2018
Directors:
Cinematographer: Gianni Fiore
Camera(s): Sony F55
Lenses: Primo Primes
Title: Seven Seconds
Year: 2018
Directors:
Cinematographer: Yaron Orbach
Camera(s): Red Epic Dragon
Lenses: Cooke S4, Angenieux Optimos
Title: A.P. Bio
Year: 2018
Directors:
Cinematographer: Blake McClure
Camera(s): Arri Alexa XT
Lenses: Primo Primes
Title: Waco
Year: 2018
Directors:
Cinematographer: Todd McMullen
Camera(s): Arri Alexa
Lenses: PVintage, Primo Zooms, Primo Compact Zoom, Angenieux Optimos
Title: The Detour
Year: 2018
Directors:
Cinematographer: Walt Lloyd
Camera(s): Arri Alexa Mini
Lenses: Primo Zooms
Title: The Resident
Year: 2018
Directors:
Cinematographer: John Brawley
Camera(s): Arri Alexa XT
Lenses: Primo V
Title: Divorce
Year: 2018
Directors:
Cinematographer: Joe Collins
Camera(s): Arri Alexa Plus
Lenses: Primo Primes
Title: The Magicians
Year: 2018
Directors:
Cinematographer: Elie Smolkin
Camera(s): Arri Alexa XT
Lenses: Panavision Mild Flares, Primo Macro Zoom, Primo Zooms
Title: The Brave
Year: 2018
Directors:
Cinematographer: Jimmy Lindsey, Mike Spragg
Camera(s): Arri Alexa Mini
Lenses: Primo Primes, Primo Zooms, Primo Compact Zoom
Title: The Chi
Year: 2018
Directors:
Cinematographer: Ben Richardson
Camera(s): Arri Alexa Mini
Lenses: Panavision Ultra Speeds
Title: Will & Grace
Year: 2018
Directors:
Cinematographer: Gary Baum
Camera(s): Sony F55
Lenses: Primo Zoom, Z5S
Title: Counterpart
Year: 2018
Directors:
Cinematographer: Martin Ruhe
Camera(s): Arri Alexa Mini
Lenses: Super Speeds, Primo Zooms
Title: LA to Vegas
Year: 2018
Directors:
Cinematographer: Joe Penella
Camera(s): Arri Alexa High Speed
Lenses: Primo Zooms
Title: The Walking Dead
Year: 2018
Directors:
Cinematographer: Michael Satrazemis
Camera(s): Arri 416
Lenses: Zeiss Ultra 16mm
Title: Legends of Tomorrow
Year: 2018
Directors:
Cinematographer: David Geddes, Todd Williams
Camera(s): Arri Alexa High Speed, Arri Alexa Mini
Lenses: Primo Primes, Primo Zooms, Primo Close Focus
Title: This is Us
Year: 2018
Directors:
Cinematographer: Yasu Tanida, Patrick Capone
Camera(s): Arri Alexa High Speed
Lenses: Primo Primes, Primo Zooms, Angenieux Optimos
Title: Superstore
Year: 2018
Directors:
Cinematographer: Jay Hunter
Camera(s): Arri Amira
Lenses: Angeniuex Optimos, STZ
Title: Law & Order: Special Victims Unit
Year: 2018
Directors:
Cinematographer: Michael Green
Camera(s): Arri Alexa High Speed
Lenses: Primo Primes, Primo Zooms
Title: The Mick
Year: 2018
Directors:
Cinematographer: Craig Kief
Camera(s): Arri Alexa Mini, Arri Amira
Lenses: Primo Zooms, Alura Zoom, Leica Summilux Primes
Title: Blindspot
Year: 2018
Directors:
Cinematographer: David Tuttman
Camera(s): Arri Alexa High Speed
Lenses: Primo Primes, Angenieux Optimos
Title: The X-Files
Year: 2018
Directors:
Cinematographer: Craig Wrobleski
Camera(s): Arri Alexa Mini
Lenses: Cooke S5
Title: Mozart in the Jungle
Year: 2018
Directors:
Cinematographer: Tobias Datum
Camera(s): Arri Alexa XT
Lenses: PVintage, Primo Zooms, Super Speeds, Ultra Speeds