TV Credits

Title: Now Apocalypse
Year: 2019
Directors:
Cinematographer: Sandra Valde-Hansen
Camera(s): Red Weapon Helium 8K
Lenses: Primo Primes
Title: The Magicians
Year: 2019
Directors:
Cinematographer: Corey Robson
Camera(s): Arri Alexa Mini
Lenses: PVintage
Title: Black Monday
Year: 2019
Directors:
Cinematographer: Carl Herse
Camera(s): Sony Venice
Lenses: T Series
Title: Deadly Class
Year: 2019
Directors:
Cinematographer: Owen McPolin
Camera(s): Millennium DXL2
Lenses: G Series
Title: True Detective
Year: 2019
Directors:
Cinematographer: Germain McMicking
Camera(s): Alexa XT
Lenses: Primo Primes, Primo Zooms, PCZ, Ultra Speeds
Title: Victoria
Year: 2019
Directors:
Cinematographer: John Lee
Camera(s): Arri Alexa Amira
Lenses: Primo Zooms
Title: Future Man
Year: 2019
Directors:
Cinematographer: Eduardo Enrique Mayén
Camera(s): Red Weapon 8K Helium
Lenses: G Series
Title: Better Things
Year: 2019
Directors:
Cinematographer: Paul Koestner
Camera(s): Alexa Mini
Lenses: Primo Zooms
Title: The Chi
Year: 2019
Directors:
Cinematographer: Abraham Martinez
Camera(s): Arri Alexa Mini
Lenses: PVintage
Title: Counterpart
Year: 2018
Directors:
Cinematographer: Martin Ruhe
Camera(s): Arri Alexa Mini
Lenses: Super Speeds, Primo Zooms
Title: Runaways
Year: 2018
Directors:
Cinematographer: Dave Perkal
Camera(s): Arri Alexa Mini
Lenses: Zeiss Master Primes
Title: The Marvelous Mrs. Maisel
Year: 2018
Directors:
Cinematographer: David Mullen, ASC
Camera(s): Arri Alexa Mini
Lenses: Primo Zooms
Title: Nightflyers
Year: 2018
Directors:
Cinematographer: Markus Forderer
Camera(s): Millennium DXL
Lenses: C Series Anamorphic, B Series anamorphic, Anamorphic Zooms
Title: The Orville
Year: 2018
Directors:
Cinematographer: Marvin Rush
Camera(s): Arri Alexa Mini (Panavised)
Lenses: Zeiss Ultra Primes
Title: The Little Drummer Girl
Year: 2018
Directors:
Cinematographer: Ross Reige
Camera(s): Arri Alexa Amira
Lenses: Zeiss Ultra Primes
Title: Escape at Dannemora
Year: 2018
Directors:
Cinematographer: Jessica Gagne
Camera(s): Arri Alexa Mini
Lenses: G Series Anamorphic
Title: The Cry
Year: 2018
Directors:
Cinematographer: Sam Chiplin
Camera(s): Arri Alexa Studio
Lenses: C Series Anamorphic
Title: Outlander
Year: 2018
Directors:
Cinematographer: Ali Walker
Camera(s): RED DSMC2 Gemini
Lenses: Primo Primes
Title: Homecoming
Year: 2018
Directors:
Cinematographer: Tod Campbell
Camera(s): Millennium DXL2, Sony A7S
Lenses: G Series Anamorphic, C Series Anamorphic, Anamorphic Zooms
Title: God Friended Me
Year: 2018
Directors:
Cinematographer: Stefan Czapsky
Camera(s): Arri Alexa Mini
Lenses: G Series Anamorphic, C Series Anamorphic, Cooke Speed Panchro, Super Baltar
Title: American Housewife
Year: 2018
Directors:
Cinematographer: Andrew Rawson
Camera(s): Arri Alexa High Speed
Lenses: Angenieux Optimos
Title: New Amsterdam
Year: 2018
Directors:
Cinematographer: Andrew Voegeli
Camera(s): Arri Amira
Lenses: Primo Primes
Title: The Good Doctor
Year: 2018
Directors:
Cinematographer: John Bartley
Camera(s): Red Weapon 8K Helium
Lenses: Primo Primes
Title: Manifest
Year: 2018
Directors:
Cinematographer: Brad Smith
Camera(s): Arri Alexa Mini
Lenses: Primo Zooms
Title: Magnum P.I.
Year: 2018
Directors:
Cinematographer: Krishna Rao
Camera(s): Arri Alexa Mini
Lenses: Primo Zooms