TV Credits

Title: The Little Drummer Girl
Year: 2018
Directors:
Cinematographer: Ross Reige
Camera(s): Arri Alexa Amira
Lenses: Zeiss Ultra Primes
Title: Escape at Dannemora
Year: 2018
Directors:
Cinematographer: Jessica Gagne
Camera(s): Arri Alexa Mini
Lenses: G Series Anamorphic
Title: The Cry
Year: 2018
Directors:
Cinematographer: Sam Chiplin
Camera(s): Arri Alexa Studio
Lenses: C Series Anamorphic
Title: Outlander
Year: 2018
Directors:
Cinematographer: Ali Walker
Camera(s): DSMC2 Gemini
Lenses: Primo Primes
Title: Homecoming
Year: 2018
Directors:
Cinematographer: Tod Campbell
Camera(s): Millennium DXL2, Sony A7S
Lenses: G Series Anamorphic, C Series Anamorphic, Anamorphic Zooms
Title: God Friended Me
Year: 2018
Directors:
Cinematographer: Stefan Czapsky
Camera(s): Arri Alexa Mini
Lenses: G Series Anamorphic, C Series Anamorphic, Cooke Speed Panchro, Super Baltar
Title: American Housewife
Year: 2018
Directors:
Cinematographer: Andrew Rawson
Camera(s): Arri Alexa High Speed
Lenses: Angenieux Optimos
Title: New Amsterdam
Year: 2018
Directors:
Cinematographer: Andrew Voegeli
Camera(s): Arri Amira
Lenses: Primo Primes
Title: The Good Doctor
Year: 2018
Directors:
Cinematographer: John Bartley
Camera(s): Red Weapon 8K Helium
Lenses: Primo Primes
Title: Manifest
Year: 2018
Directors:
Cinematographer: Brad Smith
Camera(s): Arri Alexa Mini
Lenses: Primo Zooms
Title: Magnum P.I.
Year: 2018
Directors:
Cinematographer: Krishna Rao
Camera(s): Arri Alexa Mini
Lenses: Primo Zooms
Title: Maniac
Year: 2018
Directors:
Cinematographer: Darren Lew
Camera(s): Millennium DXL, Red Weapon 8K
Lenses: C Series Anamorphic, E Series Anamorphic, T Series Anamorphic, MAP200
Title: 9-1-1
Year: 2018
Directors:
Cinematographer: Jim Denault
Camera(s): Arri Alexa Mini
Lenses: Primo Primes
Title: The Good Cop
Year: 2018
Directors:
Cinematographer: Eric Moynier
Camera(s): Red Weapon 8K Helium
Lenses: Primo Primes
Title: Sorry For Your Loss
Year: 2018
Directors:
Cinematographer: Xavier Grobet ASC
Camera(s): Millennium DXL2, Sony A7S
Lenses: Primo 70, Super Speeds
Title: The First
Year: 2018
Directors:
Cinematographer: Adam Stone
Camera(s): Millennium DXL, Red Weapon 8K
Lenses: Primo 70, Sphero 65, Primo Primes, Super Speeds
Title: The Deuce
Year: 2018
Directors:
Cinematographer: Yaron Orbach
Camera(s): Arri Alexa Mini
Lenses: Cooke S4
Title: Rel
Year: 2018
Directors:
Cinematographer: George Mooradian ASC
Camera(s): Sony F55
Lenses: Encoded Primo Zooms
Title: This is Us
Year: 2018
Directors:
Cinematographer: Yasu Tanida
Camera(s): Arri Alexa Mini
Lenses: Primo Primes
Title: Iron Fist
Year: 2018
Directors:
Cinematographer: Manuel Billeter
Camera(s): Red Weapon 6k
Lenses: Zeiss Master Primes
Title: NCIS
Year: 2018
Directors:
Cinematographer: William Webb
Camera(s): Arri Alexa Mini
Lenses: Primo Zooms
Title: Mom
Year: 2018
Directors:
Cinematographer: Steve Silver ASC
Camera(s): Sony F55
Lenses: Primo Zooms
Title: Star
Year: 2018
Directors:
Cinematographer: Crescenzo Notarile ASC
Camera(s): Arri Alexa Mini
Lenses: Leica Summilux-C, SLZ11, PCZ
Title: S.W.A.T
Year: 2018
Directors:
Cinematographer: Francis Kinney
Camera(s): Red Weapon 8K Helium
Lenses: Leica Summicron C
Title: Law & Order: Special Victims Unit
Year: 2018
Directors:
Cinematographer: Michael Green
Camera(s): Arri Alexa High Speed
Lenses: Primo Primes, Primo Zooms