TV Credits

Title: Arrested Development
Year: 2018
Directors:
Cinematographer: Patrick Stewart
Camera(s): Varicam 4K
Lenses: Fujinon Cabrio
Title: 13 Reasons Why
Year: 2018
Directors:
Cinematographer: Cameron Duncan, Ivan Strasburg
Camera(s): DXL, Red Helium 8K
Lenses: T Series, G Series, Ultra Speeds, Primo Zooms
Title: Code Black
Year: 2018
Directors:
Cinematographer: Spencer Combs
Camera(s): Arri Alexa HS
Lenses: Primo Zooms, Angenieux Optimos
Title: Sweetbitter
Year: 2018
Directors:
Cinematographer: Terry Stacey
Camera(s): Arri Alexa Mini
Lenses: PVintage, Primo Zooms
Title: Picnic at Hanging Rock
Year: 2018
Directors:
Cinematographer: Garry Phillips
Camera(s): Arri Alexa Mini
Lenses: PVintage
Title: Cobra Kai
Year: 2018
Directors:
Cinematographer: Cameron Duncan
Camera(s): Sony F55, Sony A7S2
Lenses: SP, Lightweight Zooms, Cooke Panavision Zooms
Title: Lost in Space
Year: 2018
Directors:
Cinematographer: Sam McCurdy, Joel Ransom
Camera(s): Red Helium 8K
Lenses: Leica Summilux, 8mm Ultra Prime, Angenieux Optimos
Title: New Girl
Year: 2018
Directors:
Cinematographer: Russ Alsobrook, ASC
Camera(s): Arri Alexa
Lenses: Primo Zooms, Fujinon Cabrio
Title: FEAR THE WALKING DEAD
Year: 2018
Directors:
Cinematographer: Adam Suschitzsky, Cort Fey
Camera(s): Arri Alexa Mini
Lenses: 16mm Zeiss Primes, Primo Zooms
Title: Shadowhunters: The Mortal Instrument
Year: 2018
Directors:
Cinematographer: Mike McMurray, David Herrington
Camera(s): Arri Alexa High Speed, Arri Alexa Mini
Lenses: Zeiss Ultra Primes, Angenieux Optimos
Title: Quantico
Year: 2018
Directors:
Cinematographer: Anastas Michos, Tas Michos
Camera(s): Arri Alexa Mini
Lenses: Primo Zooms, PVintage, Primo Primes, Primo Close Focus
Title: Bosch
Year: 2018
Directors:
Cinematographer: Patrick Cady, Michael McDonough
Camera(s): Red Weapon 6k
Lenses: PVintage, Primo Compact Zoom
Title: Alex, Inc.
Year: 2018
Directors:
Cinematographer: Eric Edwards
Camera(s): Red Weapon 6k
Lenses: Primo Zooms
Title: The Terror
Year: 2018
Directors:
Cinematographer: Florian Hoffmeister
Camera(s): Red Epic Dragon
Lenses: PZW, PCZV
Title: Trust
Year: 2018
Directors:
Cinematographer: Chris Ross
Camera(s): Red Weapon Helium
Lenses: Primo Primes, Primo Zooms, Portrait
Title: Krypton
Year: 2018
Directors:
Cinematographer: James Mathers
Camera(s): Arri Alexa Mini
Lenses: Primo Primes, C35, B35
Title: Instinct
Year: 2018
Directors:
Cinematographer: Jimmy Lindsay, Joe Collins
Camera(s): Red Weapon 6k, Arri Alexa Plus H, Arri Alexa Mini
Lenses: Primo 70
Title: Deception
Year: 2018
Directors:
Cinematographer: John Lindley, David Johnson
Camera(s): Arri Alexa SXT, Arri Alexa Mini
Lenses: Cooke S4, Angenieux Optimos
Title: Champions
Year: 2018
Directors:
Cinematographer: Charles Papert
Camera(s): Arri Amira Premium
Lenses: Fujinon Cabrio, Alura Zoom
Title: Life Sentence
Year: 2018
Directors:
Cinematographer: Kalmal Derkaoui
Camera(s): Arri Alexa High Speed
Lenses: Zeiss Ultra Primes, Angenieux Optimos, Slant Focus, SLZ11
Title: The Last Man on Earth
Year: 2018
Directors:
Cinematographer: Carl Herse
Camera(s): Arri Alexa High Speed
Lenses: Digital Fujinon Zooms
Title: Love
Year: 2018
Directors:
Cinematographer: Mark Schwartzbard
Camera(s): Panasonic Varicam 35
Lenses: Primo Zooms
Title: Jessica Jones
Year: 2018
Directors:
Cinematographer: Manuel Billeter
Camera(s): Red Weapon 6k
Lenses: PVintage, Primo Primes, Super Speeds, Ultra Speeds, Primo Zooms
Title: The Good Fight
Year: 2018
Directors:
Cinematographer: Fred Murphy, ASC
Camera(s): Arri Alexa Plus
Lenses: Lecia Summicron, Primo Primes, SLZ11
Title: Good Girls
Year: 2018
Directors:
Cinematographer: Jerzy Zielinski
Camera(s): Arri Alexa PH, Arri Alexa Mini
Lenses: Primo Primes, Primo Close Focus, Primo Zooms