Cinema Credits

Title: Mission: Impossible - Fallout
Year: 2018
Directors: Christopher McQuarrie
Cinematographer: Rob Hardy BSC
Camera(s): XL2, DXL
Lenses: C Series Anamorphic, Anamrophic Zooms, Primo 70
Title: Blindspotting
Year: 2018
Directors: Carlos Lopez Estrada
Cinematographer: Robby Baumgartner
Camera(s): Arri Alexa XT
Lenses: Primo Primes
Title: Don't Worry, He Won't Get Far on Foot
Year: 2018
Directors: Gus Van Sant
Cinematographer: Christopher Blauvelt
Camera(s): Arri Alexa Mini
Lenses: Ultra Speeds
Title: Skyscraper
Year: 2018
Directors: Rawon Thurber
Cinematographer: Robert Elswit ASC
Camera(s): Arri Alexa XT
Lenses: T Series
Title: The First Purge
Year: 2018
Directors: Gerard McMurray
Cinematographer: Tas Michos
Camera(s): Arri Alexa Mini
Lenses: Primo Primes
Title: Sicario: Day of the Soldado
Year: 2018
Directors: Stefano Sollima
Cinematographer: Dariusz Wolski, ASC
Camera(s): Arri Alexa XT
Lenses: Primo Primes, Ultra Speeds, Super Speeds
Title: Woman Walks Ahead
Year: 2018
Directors: Susanna White
Cinematographer: Mike Eley
Camera(s): Arri Alexa XT, Arri Alexa Mini
Lenses: PVintage, Super Speeds
Title: Under the Silver Lake
Year: 2018
Directors: David Robert Mitchell
Cinematographer: Michael Gioulakis
Camera(s): Arri Alexa Mini
Lenses: Cooke S4
Title: Damsel
Year: 2018
Directors: Davis Zellner
Cinematographer: Adam Stone
Camera(s): Arri Alexa XT
Lenses: E Series Anamorphic, Anamorphic Zooms
Title: Jurassic World: Fallen Kingdom
Year: 2018
Directors: Juan Bayona
Cinematographer: Oscar Faura
Camera(s): Arri Alexa 65
Lenses: Primo 70, Sphero 65
Title: Boundaries
Year: 2018
Directors: Shana Feste
Cinematographer: Sara Mishara
Camera(s): Arri Alexa Mini
Lenses: B Series anamorphic
Title: Set It Up
Year: 2018
Directors: Claire Canton
Cinematographer: Matthew Clark
Camera(s): Red Weapon 6k
Lenses: Super Baltars, Super Speeds, Ultra Speeds, Primo Zooms
Title: Gotti
Year: 2018
Directors: Kevin Connolly
Cinematographer: Michael Barrett
Camera(s): Sony F55
Lenses: Primo Primes, Primo Compact Zoom
Title: A Kid Like Jake
Year: 2018
Directors: Silas Howard
Cinematographer: Steve Calitri
Camera(s): Arri Alexa Mini
Lenses: Primo Prime Close Focus
Title: Hotel Artemis
Year: 2018
Directors: Drew Pearce
Cinematographer: Chung-hoon Chung
Camera(s): Arri Alexa XT
Lenses: T Series Anamorphic, Primo V, G Series Anamorphic, E Series Anamorphic, C Series Anamorphic
Title: Hereditary
Year: 2018
Directors: Ari Aster
Cinematographer: Pawel Pogorzelski
Camera(s): Arri Amira Premium, Arri Alexa Mini
Lenses: Primo Primes, Primo Compact Zoom, Primo Zooms
Title: Ocean's 8
Year: 2018
Directors: Gary Ross
Cinematographer: Eigil Bryld
Camera(s): Arri Alexa XT, Arri Alexa Mini
Lenses: Zeiss Master Primes, Master Zooms, Master Macro, Angenieux Optimos
Title: Adrift
Year: 2018
Directors: Baltasar Kormakur
Cinematographer: Robert Richardson, ASC
Camera(s): Arri Alexa Mini, Arri Alexa XTF
Lenses: Primo Primes, Super Speeds
Title: Upgrade
Year: 2018
Directors: Leigh Whannell
Cinematographer: Stefan Duscio
Camera(s): Arri Alexa XT
Lenses: C Series Anamorphic, E Series Anamorphic, Anamorphic Zooms
Title: Action Point
Year: 2018
Directors: Tim Kirkby
Cinematographer: Michael Snyman
Camera(s): Red Weapon 8K
Lenses: PVintage, 200mm Canon, Lightweight Zoom, SLZ11
Title: The Seagull
Year: 2018
Directors: Michael Mayer
Cinematographer: Matthew Lloyd CSC
Camera(s): Arri Alexa High Speed
Lenses: Zeiss Master Primes
Title: The Kissing Booth
Year: 2018
Directors: Vince Marcello
Cinematographer: Anastas Michos
Camera(s): Sony F55
Lenses: Ultra Speeds, PVS50, Primo Zooms
Title: Fahrenheit 451
Year: 2018
Directors: Ramin Bahrani
Cinematographer: Kramer Morgenthau, ASC
Camera(s): Varicam 35 4K
Lenses: Ultra Speeds, Primo Compact Zoom
Title: Book Club
Year: 2018
Directors: Bill Holderman
Cinematographer: Andrew Dunn, BSC
Camera(s): Arri Alexa XT
Lenses: Primo Primes
Title: Tully
Year: 2018
Directors: Jason Reitman
Cinematographer: Eric Steelberg
Camera(s): Arri Alexa Mini
Lenses: Primo Primes, Primo Zooms, Primo Compact Zoom