Cinema Credits

Title: Holmes and Watson
Year: 2018
Directors: Etan Cohen
Cinematographer: Oliver Wood
Camera(s): Arri Alexa Mini, Arri Alexa XT Plus
Lenses: Cooke S4, Angenieux Zoom
Title: Destroyer
Year: 2018
Directors: Karyn Kusama
Cinematographer: Julie Kirkwood
Camera(s): Arri Alexa Mini
Lenses: Primo Prime Close Focus
Title: Mary Poppins Returns
Year: 2018
Directors: Rob Marshal
Cinematographer: Dion Beebe. ACS, ASC
Camera(s): Arri Alexa SXT, Arri Alexa Mini
Lenses: G Series Anamorphic, Anamorphic Zooms, Pvimo V, Angenieux Optimos
Title: Aquaman
Year: 2018
Directors: James Wan
Cinematographer: Don Burgess, ASC
Camera(s): Arri Alexa XT, DSMC2 6K
Lenses: Primo 70
Title: Bumblebee
Year: 2018
Directors: Travis Knight
Cinematographer: Enrique Chediak, ASC
Camera(s): Arri Alexa 65
Lenses: Sphero 65, Super Speeds, Ultra Speeds, Primo Zooms, Lightweight Zooms
Title: The Mule
Year: 2018
Directors: Clint Eastwood
Cinematographer: Yves Belanger
Camera(s): Arri Alexa XT
Lenses: T Series Anamorphic
Title: Swimming With Men
Year: 2018
Directors: Oliver Parker
Cinematographer: David Raedeker
Camera(s): Arri Alexa Mini
Lenses: Leica Summicron
Title: The Favourite
Year: 2018
Directors: Yorgos Lanthimos
Cinematographer: Robbie Ryan
Camera(s): XL2
Lenses: PVintage
Title: The Front Runner
Year: 2018
Directors: Jason Reitman
Cinematographer: Eric Steelberg ASC
Camera(s): XL2
Lenses: PVintage
Title: Creed II
Year: 2018
Directors: Steven Caple Jr.
Cinematographer: Kramer Morgenthau ASC
Camera(s): Arri Alexa XT, Arri Alexa Mini
Lenses: Zeiss Master Primes, Primo Zooms
Title: Robin Hood
Year: 2018
Directors: Otto Bathurst
Cinematographer: George Steel
Camera(s): Millennium DXL
Lenses: Primo 70
Title: Green Book
Year: 2018
Directors: Peter Farrelly
Cinematographer: Sean Porter
Camera(s): Arri Alexa Mini
Lenses: Leica Summilux-C
Title: Outlaw King
Year: 2018
Directors: David Mackenzie
Cinematographer: Barry Ackroyd BSC
Camera(s): Millenium DXL
Lenses: E Series Anamorphic
Title: Mary Queen of Scots
Year: 2018
Directors: Josie Rourke
Cinematographer: John Mathieson BSC
Camera(s): Millennium DXL
Lenses: Sphero 65
Title: The Nutcracker and the Four Realms
Year: 2018
Directors: Lasse Hallstrom, Joe Johnston
Cinematographer: Linus Sandgren FSF
Camera(s): XL2
Lenses: Primo Primes Close Focus
Title: Overlord
Year: 2018
Directors: Julius Avery
Cinematographer: Fabian Wagner
Camera(s): Arri Alexa SXT
Lenses: T Series Anamorphic
Title: My Dinner with Herve
Year: 2018
Directors: Sacha Gervasi
Cinematographer: Maryse Alberti
Camera(s): Arri Alexa XT, Arri Alexa Mini
Lenses: Cooke S4
Title: Wildlife
Year: 2018
Directors: Paul Dano
Cinematographer: Diego Garcia
Camera(s): Arri Alexa XT
Lenses: Primo Primes
Title: Serenity
Year: 2018
Directors: Steven Knight
Cinematographer: Jess Hall BSC
Camera(s): Arri Alexa SXT
Lenses: E Series Anamorphic, T Series Anamorphic, C Series Anamorphic
Title: Can You Ever Forgive Me?
Year: 2018
Directors: Marielle Heller
Cinematographer: Brandon Trost
Camera(s): Millennium DXL
Lenses: Primo 70
Title: The Hate U Give
Year: 2018
Directors: George Tillman Jr.
Cinematographer: Mihai Malaimare Jr.
Camera(s): Millennium DXL
Lenses: Ultra Panavision 70
Title: Johnny English Strikes Again
Year: 2018
Directors: David Kerr
Cinematographer: Florian Hoffmeister
Camera(s): Red Epic Dragon
Lenses: Primo Primes
Title: Unbroken: Path to Redemption
Year: 2018
Directors: Harold Cronk
Cinematographer: Zoran Popovic
Camera(s): Arri Alexa Mini
Lenses: Primo Primes, Primo Zooms
Title: Bad Times at the El Royale
Year: 2018
Directors: Drew Goddard
Cinematographer: Seamus McGarvey ASC, BSC
Camera(s): XL2, Arri 435
Lenses: C Series Anamorphic, Anamorphic Zooms
Title: Night School
Year: 2018
Directors: Malcolm Lee
Cinematographer: Gregory Gardiner
Camera(s): Sony F55
Lenses: Primo Primes, Primo Zooms