Cinema Credits

Title: The Favourite
Year: 2018
Directors: Yorgos Lanthimos
Cinematographer: Robbie Ryan
Camera(s): XL2
Lenses: PVintage
Title: The Front Runner
Year: 2018
Directors: Jason Reitman
Cinematographer: Eric Steelberg ASC
Camera(s): XL2
Lenses: PVintage
Title: Creed II
Year: 2018
Directors: Steven Caple Jr.
Cinematographer: Kramer Morgenthau ASC
Camera(s): Arri Alexa XT, Arri Alexa Mini
Lenses: Zeiss Master Primes, Primo Zooms
Title: Robin Hood
Year: 2018
Directors: Otto Bathurst
Cinematographer: George Steel
Camera(s): Millennium DXL
Lenses: Primo 70
Title: Green Book
Year: 2018
Directors: Peter Farrelly
Cinematographer: Sean Porter
Camera(s): Arri Alexa Mini
Lenses: Leica Summilux-C
Title: Outlaw King
Year: 2018
Directors: David Mackenzie
Cinematographer: Barry Ackroyd BSC
Camera(s): Millenium DXL
Lenses: E Series Anamorphic
Title: Mary Queen of Scots
Year: 2018
Directors: Josie Rourke
Cinematographer: John Mathieson BSC
Camera(s): Millennium DXL
Lenses: Sphero 65
Title: The Nutcracker and the Four Realms
Year: 2018
Directors: Lasse Hallstrom, Joe Johnston
Cinematographer: Linus Sandgren FSF
Camera(s): XL2
Lenses: Primo Primes Close Focus
Title: Overlord
Year: 2018
Directors: Julius Avery
Cinematographer: Fabian Wagner
Camera(s): Arri Alexa SXT
Lenses: T Series Anamorphic
Title: My Dinner with Herve
Year: 2018
Directors: Sacha Gervasi
Cinematographer: Maryse Alberti
Camera(s): Arri Alexa XT, Arri Alexa Mini
Lenses: Cooke S4
Title: Wildlife
Year: 2018
Directors: Paul Dano
Cinematographer: Diego Garcia
Camera(s): Arri Alexa XT
Lenses: Primo Primes
Title: Serenity
Year: 2018
Directors: Steven Knight
Cinematographer: Jess Hall BSC
Camera(s): Arri Alexa SXT
Lenses: E Series Anamorphic, T Series Anamorphic, C Series Anamorphic
Title: Can You Ever Forgive Me?
Year: 2018
Directors: Marielle Heller
Cinematographer: Brandon Trost
Camera(s): Millennium DXL
Lenses: Primo 70
Title: The Hate U Give
Year: 2018
Directors: George Tillman Jr.
Cinematographer: Mihai Malaimare Jr.
Camera(s): Millennium DXL
Lenses: Ultra Panavision 70
Title: Johnny English Strikes Again
Year: 2018
Directors: David Kerr
Cinematographer: Florian Hoffmeister
Camera(s): Red Epic Dragon
Lenses: Primo Primes
Title: Unbroken: Path to Redemption
Year: 2018
Directors: Harold Cronk
Cinematographer: Zoran Popovic
Camera(s): Arri Alexa Mini
Lenses: Primo Primes, Primo Zooms
Title: Bad Times at the El Royale
Year: 2018
Directors: Drew Goddard
Cinematographer: Seamus McGarvey ASC, BSC
Camera(s): XL2, Arri 435
Lenses: C Series Anamorphic, Anamorphic Zooms
Title: Night School
Year: 2018
Directors: Malcolm Lee
Cinematographer: Gregory Gardiner
Camera(s): Sony F55
Lenses: Primo Primes, Primo Zooms
Title: Assassination Nation
Year: 2018
Directors: Sam Levinson
Cinematographer: Marcell Rev
Camera(s): Arri Alexa Mini
Lenses: Cooke Xtal Xpress
Title: Life Itself
Year: 2018
Directors: Dan Fogelman
Cinematographer: Brett Pawlak
Camera(s): Arri Alexa Mini, Arri Alexa XT
Lenses: Cooke Panchro S2
Title: The Children Act
Year: 2018
Directors: Richard Eyre
Cinematographer: Andrew Dunne BSC
Camera(s): Arri Alexa XT
Lenses: Cooke S4
Title: Many
Year: 2018
Directors: Panos Cosmatos
Cinematographer: Benjamin Loeb
Camera(s): Arri Alexa XT Studio
Lenses: Primo Anamorphic Primes
Title: A Simple Favor
Year: 2018
Directors: Paul Feig
Cinematographer: John Schwartzman ASC
Camera(s): Millennium DXL
Lenses: Primo 70
Title: The Predator
Year: 2018
Directors: Shane Black
Cinematographer: Larry Fong ASC
Camera(s): Arri Alexa XT, Arri Alexa Mini
Lenses: Ultra Speed Zeiss Primes, Primo Zooms
Title: White Boy Rick
Year: 2018
Directors: Tann Demange
Cinematographer: Tat Ratcliffe
Camera(s): Arri Alexa XT, Arri Alexa Mini
Lenses: C Series Anamorphic, E Series Anamorphic, G Series Anamorphic, T Series Anamorphic