Cinema Credits

Title: Detective Chinatown 2
Year: 2018
Directors:
Cinematographer: Sicheng Chen
Camera(s): Millennium DXL
Lenses: Jie Du
Title: Annihilation
Year: 2018
Directors: Alex Garland
Cinematographer: Rob Hardy, BSC
Camera(s): Sony F65, Sony F55
Lenses: G Series, Primo Anamorphic Primes, T150
Title: The War With Grandpa
Year: 2018
Directors: Tim Hill
Cinematographer: Gregory Gardiner
Camera(s): Sony F55
Lenses: Primo Primes, Primo Zooms
Title: Black Panther
Year: 2018
Directors: Ryan Coogler
Cinematographer: Rachel Morrison
Camera(s): Arri Alexa XT
Lenses: Primo Primes, Primo Zooms
Title: Peter Rabbit
Year: 2018
Directors: Will Gluck
Cinematographer: Peter Menzies Jr., ACS
Camera(s): Arri Alexa XT
Lenses: Primo Primes
Title: Fifty Shades Freed
Year: 2018
Directors: James Foley
Cinematographer: John Schwartzman, ASC
Camera(s): Arri Alexa XT
Lenses: C Series, Anamorphic Zooms, G25, E135, E180
Title: Winchester
Year: 2018
Directors: Michael Spierig, Peter Spierig
Cinematographer: Ben Nott
Camera(s): Arri Alexa XT
Lenses: E Series, AWZ2.3
Title: Maze Runner: The Death Cure
Year: 2018
Directors: Wes Ball
Cinematographer: Gyula Pados
Camera(s): Arri Alexa XT
Lenses: Primo 70
Title: 12 Strong
Year: 2018
Directors: Nicolai Fuglsig
Cinematographer: Rasmus Videbaek
Camera(s): Arri Alexa XT, Arri Alexa Mini
Lenses: G Series, C Series, E135, E180, T150
Title: Proud Mary
Year: 2018
Directors: Babak Najafi
Cinematographer: Dan Laustsen DFF
Camera(s): Sony F55
Lenses: Primo 70
Title: The Post
Year: 2018
Directors: Steven Spielberg
Cinematographer: Janusz Kaminski
Camera(s): XL2
Lenses: PVintage, Primo Prime Close Focus, Primo Zooms, Primo Compact Zoom
Title: Wonder Wheel
Year: 2017
Directors: Woody Allen
Cinematographer: Vittorio Storaro ASC, AIC
Camera(s): Sony F65
Lenses: Cooke S4i, Angenieux Optimos
Title: Phantom Thread
Year: 2017
Directors: Paul Thomas Anderson
Cinematographer: Paul Thomas Anderson
Camera(s): XL2
Lenses: Zeiss Ultra Speeds
Title: The Greatest Showman
Year: 2017
Directors: Michael Gracey
Cinematographer: Seamus McGarvey ASC, BSC
Camera(s): Arri Alexa Mini
Lenses: Sphero 65, Primo Primes, Zeiss Superspeeds, Primo Compact Zoom, Primo 70 zooms
Title: Pitch Perfect 3
Year: 2017
Directors: Trish Sie
Cinematographer: Matthew Clark
Camera(s): Arri Alexa XT
Lenses: Primo Primes, Primo Zooms
Title: Downsizing
Year: 2017
Directors: Alexander Payne
Cinematographer: Phedon Papamichael, ASC
Camera(s): Arri Alexa XT
Lenses: PVintage
Title: All the Money in the World
Year: 2017
Directors: Ridley Scott
Cinematographer: Dariusz Wolski
Camera(s): Arri Alexa XT
Lenses: PV Superspeeds
Title: Star Wars: The Last Jedi
Year: 2017
Directors: Rian Johnson
Cinematographer: Steve Yedlin, ASC
Camera(s): XL2
Lenses: G Series Anamorphic, Anamorphic Zooms
Title: The Shape of Water
Year: 2017
Directors: Guillermo Del Toro
Cinematographer: Dan Laustsen
Camera(s): Arri Alexa XT
Lenses: Zeiss Master Primes
Title: The Disaster Artist
Year: 2017
Directors: James Franco
Cinematographer: Brandon Trost
Camera(s): Red Epic Dragon
Lenses: C Series Anamorphic
Title: The Tribes of Palos Verdes
Year: 2017
Directors: Emmett Malloy, Brendan Malloy
Cinematographer: Giles Dunning
Camera(s): Arri Alexa Mini
Lenses: Cooke Xtal Xpress
Title: Wonder
Year: 2017
Directors: Stephen Chbosky
Cinematographer: Don Burgess ASC
Camera(s): Red Weapon 6k
Lenses: Primo Primes, Primo Zooms
Title: Justice League
Year: 2017
Directors: Zack Snyder
Cinematographer: Fabian Wagner ASC, BSC
Camera(s): Arricam ST
Lenses: Leica Summilux-C
Title: Molly's Game
Year: 2017
Directors: Aaron Sorkin
Cinematographer: Charlotte Bruus Christensen
Camera(s): Arri Alexa XT, Arri Alexa Mini
Lenses: C Series Anamorphic, B Series anamorphic, E Series Anamorphic, Anamorphic Zooms
Title: November Criminals
Year: 2017
Directors: Sacha Gervasi
Cinematographer: Mihai Malaimare
Camera(s): Arri Alexa XT
Lenses: Ultra Speeds, Primo Zooms