Paramount Pictures and Marvel Entertainment bring audiences one of the most anticipated movies of the summer with "Captain America: The First Avenger". Photographed by Shelly Johnson, ASC with the Panavision Genesis, Primo Primes, Primo Zooms and our Digital Transfer Station.
This weekend see cinematographer Michael Grady's latest (Easy A, Faster, Hotel For Dogs) "Friends With Benefits". Directed by Will Gluck and shot on a Panavised Sony F35 camera with Primo Primes and Primo Zooms.
The final chapter begins as the much anticipated Harry Potter And The Deathly Hallows: Part 2 hits theaters. Directed by David Yates and photographed by Eduardo Serra, AFC, ASC.
Kevin James in Zookeeper
© 2011 - Columbia TriStar
Photographed by Michael Barrett using the Panavision Genesis, Primo Primes, Zooms and 50' Supertechnocranes ZOOKEEPER is in theaters this July 8th. Directed by Frank Coraci (Click, The Waterboy and The Wedding Singer).
This weekend see Director Seth Gordon's latest comedy feature film, "Horrible Bosses", starring Jason Bateman, Jason Sudekis and Charlie Day.
Photographed with the Panavision Genesis, Primo Primes and Zooms by David Hennings.
SUPPORTED BY PANAVISION WOODLAND HILLS
LARRY CROWNE, starring Tom Hanks and Julia Roberts, in theaters. Photographed by Philippe Rousselot using Panavision's XL2 camera and anamorphic lenses G Series and Zooms. Watch the trailer below...
SUPPORTED BY PANAVISION WOODLAND HILLS
Michael Bay's latest blockbuster Transformers: Dark of the Moon hits theaters nationwide today. Photographed by Amir Mokri with Panavision Platinums and anamorphic C Series, E Series and Zooms and 50' Supertechnocranes. Don't miss the third action-packed film in the Transformers series!
BAD TEACHER now in theaters, starring Cameron Diaz and Jason Segal. Photographed by Alar Kivilo, CSC, ASC. Cinematographer of films like "The Blind Side", "Year One" and HBO's "Taking Chance" for which Alar won an ASC award in 2010 for Outstanding Achievement in Cinematography.
"Green Lantern" now in theaters. Directed by Martin Campbell and photographed by Dion Beebe, ACS, ASC.
Shot using Super 35 on Panavision's XL2 camera. See more equipment used on this film and the official trailer below the fold...
Watch the trailer
