Search for: dxl2
51 - 81 of 81 Results for "dxl2"
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Electronic
Generator Format Compare Data Calculator DXL2 Menu Simulator Educational
https://www.panavision.com/camera-and-optics/advanced-solutions/electronic
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Glass
Generator Format Compare Data Calculator DXL2 Menu Simulator Educational
https://www.panavision.com/camera-and-optics/advanced-solutions/glass
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Connectivity
Generator Format Compare Data Calculator DXL2 Menu Simulator Educational
https://www.panavision.com/camera-and-optics/advanced-solutions/connectivity
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Guiding Principles
Millennium DXL2 camera and Panaspeed and H Series large-format optics. The cinematographer, , and paired with the DXL2, they provided an image quality that Julian and I both responded to. We shot
https://www.panavision.com/highlights/highlights-detail/guiding-principles
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Commercial Spotlight: Cinematographer Simona Susnea
her experiences capturing the project in large format with the Millennium DXL2 camera system. Cinematographer Simona Susnea, captured on DXL2 with a prism in front of a 50mm Primo 70 prime. When did, they have the best kit and the best glass. What led to the decision to shoot 'Unseen Kingdoms' with DXL2, with the DXL2, so it was a bit of serendipity. We went through different lenses, shooting with ambient light, the DXL2 on location in London. (Photo by Benjy Kirkman.) With the lower light levels, did you tend
https://www.panavision.com/highlights/highlights-detail/commercial-spotlight-cinematographer-simona-susnea
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Experience Panavision’s End-to-End Ecosystem at 2019 Camerimage
, and remote systems. Visitors will be able to fully control and monitor an 8K Millennium DXL2, the opportunity to experiment and craft unique looks using the DXL2 camera and the more compact DXL-M
https://www.panavision.com/highlights/highlights-detail/experience-panavision-s-end-to-end-ecosystem-at-2019-camerimage
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New Visions
their vision.” Phillip Jackson operates the DXL2 on the set of No Vows, No Cows. Jackson, along with Van de Velde and Nikonova, selected Panavision’s Millennium DXL2 as the primary camera, of the DXL2 sensor and Super Speed ‘Z’ prime lenses was able to toe the line in softening the image, ,” she continues. “Also, the DXL2 is an incredible tool for a DP and is designed to optimize, lighting,” she says. “That’s why we went with the DXL2 camera, which has a native ASA of 1600. Paired
https://www.panavision.com/highlights/highlights-detail/new-visions
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Tools, Education & Downloads | Panavision
Calculator tools to expedite your technical calculations, and explore the Millennium DXL2’s easy
https://www.panavision.com/resources
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Commercial Spotlight: Cinematographer Kai Saul
for composition and lighting continuity. What led you to choose the Millennium DXL2 camera? Saul: One, , but I prefer the color science and the look of the DXL2. It’s great in low light and has, pitched the DXL2, and he liked the idea. We shot 8K RAW, which gave Seth all the flexibility he needed for post. While pitching the idea of the DXL2, I was also thinking ahead to the optics. The client, of times on commercials before this — including with the DXL2 on a Samsung spot [‘Galaxy S10
https://www.panavision.com/highlights/highlights-detail/commercial-spotlight-cinematographer-kai-saul
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Mystery Down Under
camera, Perkins chose Panavision’s Millennium DXL2. “We wanted to harness the wide field of view that the DXL2 sensor provides,” the cinematographer notes. “This was not only to capture the wide vistas
https://www.panavision.com/highlights/highlights-detail/mystery-down-under
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Success Is Counted Sweetest
, who chose to shoot on the Panavision Millennium DXL2. Light Iron, whose color science, cameras that meet Apple’s requirement for 4K origination. “I was really struck by the way the DXL2
https://www.panavision.com/highlights/highlights-detail/success-is-counted-sweetest-tim-orr-on-shooting-dickinson-for-apple-
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Filmmaker Conversations
of Panavision’s Millennium DXL2 for the feature Just Mercy.Watch the video. Finding the Truth in the Look
https://www.panavision.com/highlights/highlights-detail/filmmaker-conversations
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Logo Downloads | Panavision
with Panavision's Millennium DXL or Millennium DXL2 digital cameras. Download The “Filmed
https://www.panavision.com/resources/logo-download
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Inspired Choices
DXL2. What inspired you to become a cinematographer — and what keeps you inspired today
https://www.panavision.com/highlights/highlights-detail/inspired-choices
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James Chressanthis, ASC, GSC Embeds Subtle Iconography Into Greenleaf
with HELIUM sensor, that extends the DXL2 ecosystem into the smaller form factor – and paired it with Panavision special optics. “It’s a slimmer version of the DXL2, very light, with terrific balance when, into play occasionally, but our secret sauce was the DXL2 Film for HELIUM LUT, which I tweaked
https://www.panavision.com/highlights/highlights-detail/james-chressanthis-asc-gsc-selects-special-optics-to-embed-subtle-iconographic-imagery-into-greenleaf
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Panavision’s Camera-to-Finish Imaging Ecosystem Featured at Cine Gear 2019
in mind.”   Panavision’s Millennium DXL2 and DXL-M camera systems will also, developments, the DXL2’s 6G 4K SDI outputs, which allow direct connection to a Teradek Bolt 4K with a single SDI cable, can now be fully utilized. The latest enhancements to the DXL2 also include
https://www.panavision.com/highlights/highlights-detail/panavision-s-camera-to-finish-imaging-ecosystem-featured-at-cine-gear-2019
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Through the Years
Millennium DXL2 camera to shoot the series, sourcing the camera and lens package from Panavision Vancouver for both seasons. “I think the DXL2 is a wonderfully built camera,” he says. “The ergonomics, season, De Paula windowed the DXL2’s sensor for Super 35-size capture with Cooke S4 lenses
https://www.panavision.com/highlights/highlights-detail/through-the-years
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Panavision companies showcase product portfolio at BSC Expo 2022
at the stand with multiple cameras, including the Panavision Millennium DXL2, and a selection
https://www.panavision.com/highlights/highlights-detail/panavision-companies-showcase-product-portfolio-at-bsc-expo-2022
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Panalux unveils new lighting, power solutions complementing Panavision brands’ product portfolio at BSC Expo 2020
will reach the sensor of Panavision’s Millennium DXL2 8K camera system, which will be joined at the stand
https://www.panavision.com/highlights/highlights-detail/panalux-unveils-new-lighting-power-solutions-complementing-panavision-brands-product-portfolio-at-bsc-expo-2020
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Framing the Future
of Millennium DXL2 large-format digital cameras, with which they offered an overview of a camera prep
https://www.panavision.com/highlights/highlights-detail/framing-the-future
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Funny Business
camera and lens package, opting for Panavision’s Millennium DXL2 on Season 1 and Panavised Red V, Grobet, ASC, AMC. He shot the first season on a DXL2 and had worked with Guy McVicker [who now serves
https://www.panavision.com/highlights/highlights-detail/funny-business
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Customer Stories
DXL2 Explore Panaspeed, Tools DXL2 Menu Simulator Format Compare Data Calculator, Cinematographer Mihai Mălaimare Jr. employs a mix of optics with DXL2 to craft the widescreen west, Celebrating Community Cinematographer Alice Brooks discusses using DXL2 and G Series, DXL2 for 6K capture and pairing the camera with ... Read Article Historical
https://www.panavision.com/highlights/customer-stories
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Given to Fly
with Panavision Woodland Hills, Messerschmidt selected Panavision’s Millennium DXL2 as his primary, airplanes. In front of the DXL2, Messerschmidt opted for large-format Panaspeed spherical primes, of the integration with Panavision and the DXL2, it felt obvious to work with Light Iron,” says, in there together. You can let Ian run, and he does great work on his own.” Capturing at 7K with the DXL2 for a 4K
https://www.panavision.com/highlights/highlights-detail/given-to-fly
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Filmmaker Focus: Todd Banhazl
in The Strange Ones; and they outfitted our film Hustlers with DXL2’s and customized large format lenses, for cues on how to shoot strippers like athletes. We chose the DXL2 with customized Panaspeeds
https://www.panavision.com/highlights/highlights-detail/filmmaker-focus-todd-banhazl
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Sundance Filmmakers Turn to Panavision for Production and Post Services
Angeles. Velvet Buzzsaw (dir. Dan Gilroy, Robert Elswit, ASC) – Panavision Millennium DXL2, Standard
https://www.panavision.com/highlights/highlights-detail/sundance-filmmakers-turn-to-panavision-for-production-and-post-services
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Enter the Wu-Tang
desired, to imply the hero within. For Season 1, we shot on DXL2 with Panavision Primos along
https://www.panavision.com/highlights/highlights-detail/enter-the-wu-tang
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Emotional Vibes
, and for the sequels, Michos opted to shoot with Panavision’s Millennium DXL2 camera system, which he had, lives to tell the story.” Michos embraced the DXL2’s native 1600 ISO, employing NDs for day exteriors
https://www.panavision.com/highlights/highlights-detail/emotional-vibes
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Fact-Finding in the Sunshine
the [Millennium] DXL2 and Primo Artistes, and I was keen to work with Panavision again,” he says. “My
https://www.panavision.com/highlights/highlights-detail/fact-finding-in-the-sunshine
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DOWNLOAD
New Filmmaker Program Submission Agreement – Canada 2023
of the Panavision DXL2 – are not available for NFP projects Post-Production Grants (Available only
https://www.panavision.com/docs/default-source/downloads/newfilmmakerprogram_submissionagreement_canada.pdf?sfvrsn=c4c8ea43_8
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New Filmmaker Program Submission Agreement – United States
of the Panavision DXL2 – are not available for NFP projects Post-Production Grants Post-produc t
https://www.panavision.com/docs/default-source/downloads/newfilmmakerprogram_submissionagreement_us.pdf?sfvrsn=bf204026_13
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History & Awards | Panavision
, the modular camera was followed up in 2018 by the DXL2, which incorporated RED’s updated Monstro 8K VV sensor. With one of the quietest signal-to-noise ratios on the market, DXL2 delivers unprecedented
https://www.panavision.com/about/history-awards