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| PANAVISION ANAMORPHIC 2.40:1 |
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| For more than 40 years, Panavision has stood at the forefront
of anamorphic photography. After winning Academy Awards for the
patented “Auto Panatar” series of lenses, Panavision
continued to develop and improve on its Anamorphic knowledge,
designing the “C” and “E” series lenses,
culminating in 1990 with the release of the Primo® anamorphics.
In 1994 Panavision received a Class I Academy Award for the continued
development of anamorphic lenses. Thus the phrase “Filmed
in Panavision” has become synonymous with anamorphic photography,
appearing on over one thousand films. |
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| 3 PERF® |
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3 Perf® cameras pull down 3 perforations per
frame rather than the conventional 4 perforations per frame.
Some of the advantages of 3 Perf® cameras:
- Uses 25% less film (25% savings in cost of negative film, processing, etc.)
- 33.3 % more running/shooting time per magazine
(14.81 minutes versus 11.11 minutes per 1000'; 29.62 minutes per 2000')
- 340% larger negative area than 16mm in NTSC
- Only 26% smaller than 4 perf in NTSC
- Ideally suited for 1.78:1 (16x9) format
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| PANAVISION SUPER 35® |
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Panavision Super 35® is a format for shooting
full aperture, utilizing a greater camera negative area. This
format provides the option of releasing a film in any of 3 formats:
70mm, 2x Anamorphic, and 1.85, without cropping any of the sides.
The final decision can be made in post-production, as it does
require an optical process. Allows the cinematographer to use
spherical lenses, while achieving a 2.40 finished product.
For
more information on shooting Panavision Super 35®, please
contact Panavision directly.
FPSP35 Panavision Super 35® Available for conversion from standard35mm
format to Super 35 format. |
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| TIME CODE |
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Panavision/Aaton Time Code system is a tool for
automatically syncronizing camera negative and the production
soundtrack. Every frame of film is “timestamped” with
a computer and human readable code. A small on-set syncronizing
clock links the camera time code with the sound recorder timecod.
In post-production, sound and picture can then be synched automatically
without the necessity of slates. Current panavision productions
have voiced a savings on average of up to 8 hours of telecine
time per week/episode because of Panavision/Aaton Code.
PDTC-C Panavision/Aaton CodeClock Syncronizes tme code nagra
with time code generator.
PDTG Panavision/Aaton CodeGenerator Optically writes time code
data on film. |
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