TV Credits

Title: Anne
Year: 2017
Directors:
Cinematographer: Bobby Shore
Camera(s): Panasonic Varicam
Lenses: Super Speeds, Ultra Speeds, Cooke Zooms
Title: Sense8
Year: 2017
Directors:
Cinematographer: John Toll, ASC
Camera(s): Sony F55
Lenses: Super Speeds
Title: American Gods
Year: 2017
Directors:
Cinematographer: Brendan Galvin, Darran Tiernan
Camera(s): Arri Alexa XT
Lenses: Leica Summilux-C
Title: Great News
Year: 2017
Directors:
Cinematographer: Tom Magill
Camera(s): Arri Amira
Lenses: Angenieux Optimos
Title: Girlboss
Year: 2017
Directors:
Cinematographer: Christain Rein
Camera(s): Red Weapon 6k
Lenses: Cooke S2, Leica Summilux Primes, Angenieux Optimos
Title: The Leftovers
Year: 2017
Directors:
Cinematographer: Michael Grady
Camera(s): Arri Alexa Mini
Lenses: Angenieux Optimos
Title: The Blacklist
Year: 2017
Directors:
Cinematographer: Michael Caracciolo, Saade Mustafa
Camera(s): Sony F55
Lenses: Primo Primes, Primo Zooms
Title: iZombie
Year: 2017
Directors:
Cinematographer: Michael Wale
Camera(s): Arri Alexa HS
Lenses: Primo Primes, Primo Zooms
Title: Imaginary Mary
Year: 2017
Directors:
Cinematographer: Joe Penella
Camera(s): Sony F65
Lenses: Ultra Speeds, Alura Zoom, Zeiss Compact Zoom
Title: Time After Time
Year: 2017
Directors:
Cinematographer: David Insley
Camera(s): Arri Alexa XT
Lenses: Primo Primes
Title: The Originals
Year: 2017
Directors:
Cinematographer: Matt Chinigierian, Kurt Jones
Camera(s): Arri Alexa HS
Lenses: Primo Primes, Primo Zooms
Title: Iron Fist
Year: 2017
Directors:
Cinematographer: Manuel Billeter
Camera(s): Red Weapon 6k
Lenses: Primo 70
Title: Love
Year: 2017
Directors:
Cinematographer: Mark Schwartzbard
Camera(s): Panasonic Varicam 35
Lenses: Primo Zooms
Title: American Crime
Year: 2017
Directors:
Cinematographer: Ramsey Nickell
Camera(s): Arri Alexa Mini
Lenses: G Series Anamorphic, Anamorphic Zooms
Title: Shades of Blue
Year: 2016
Directors:
Cinematographer: Stefan Czapsky
Camera(s): Arri Alexa HS
Lenses: Angenieux Optimos
Title: The Mindy Project
Year: 2017
Directors:
Cinematographer: Marco Fargnoli
Camera(s): Arri Alexa High Speed
Lenses: Primo Zooms
Title: The Blacklist: Redemption
Year: 2017
Directors:
Cinematographer: Eric Moynier
Camera(s): Sony F55
Lenses: Primo Zooms
Title: The Good Fight
Year: 2017
Directors:
Cinematographer: Fred Murphy, ASC
Camera(s): Arri Alexa Plus
Lenses: Lecia Summicron, Primo Primes, SLZ11
Title: Crashing
Year: 2017
Directors:
Cinematographer: Mark Schwartzbard, Sam Levy
Camera(s): XL2
Lenses: Primo Primes, Primo Zooms, Primo Compact Zoom, Angenieux Zoom
Title: APB
Year: 2017
Directors:
Cinematographer: Bart Tau
Camera(s): Panasonic Varicam LT
Lenses: Fuji 45-250, Fuji 19-90, Vantage T.0
Title: 24: Legacy
Year: 2017
Directors:
Cinematographer: Jeffrey Mygatt
Camera(s): Arri Alexa Mini
Lenses: Primo Close Focus Primes, Primo Zooms
Title: Santa Clarita Diet
Year: 2017
Directors:
Cinematographer: Michael Barrett, ASC
Camera(s): Arri Alexa
Lenses: PVintage, Angenieux Optimos
Title: Black Sails
Year: 2017
Directors:
Cinematographer:
Camera(s): Arri Alexa Mini
Lenses: Primo Primes, Primo Compact Zoom
Title: Baskets
Year: 2017
Directors:
Cinematographer: Giles Dunning
Camera(s): Arri Alexa Mini
Lenses: SLZ11, Angenieux Optimo, Zeiss Std. Primes, Zeiss Super Speeds
Title: A Series of Unfortunate Events
Year: 2017
Directors:
Cinematographer: Bernard Couture
Camera(s): Sony F65
Lenses: Zeiss Master Primes, Fujinon Zooms