TV Credits

Title: The Last Man on Earth
Year: 2017
Directors:
Cinematographer: Carl Herse
Camera(s): Arri Alexa High Speed
Lenses: Digital Fujinon Zooms
Title: The Orville
Year: 2017
Directors:
Cinematographer: Kramer Morgenthau, ASC
Camera(s): Arri Alexa Mini (Panavised)
Lenses: Zeiss Ultra Primes
Title: OUTLANDER
Year: 2017
Directors:
Cinematographer: Ali Walker
Camera(s): Arri Amira, Sony F55
Lenses: Cooke S4
Title: You're The Worst
Year: 2017
Directors:
Cinematographer: Michael Berlucchi
Camera(s): Arri Amira, Arri Alexa Mini
Lenses: Primo Primes, Primo Zooms, Primo Compact Zoom
Title: The Tick
Year: 2017
Directors:
Cinematographer: William Rexer II
Camera(s): Red Weapon Helium 8K
Lenses: Zeiss Master Primes
Title: The Last Ship
Year: 2017
Directors:
Cinematographer:
Camera(s): Arri Amira Premium, Arri Alexa Mini (Panavised)
Lenses: Primo Primes, Primo Zooms, Angenieux Optimos, Fujinon, Alura Zoom
Title: Marlon
Year: 2017
Directors:
Cinematographer: Antar Abderrahman, Patti Lee
Camera(s): Sony F55
Lenses: Primo Zooms
Title: Mr. Mercedes
Year: 2017
Directors:
Cinematographer: Armando Salas
Camera(s): Arri Alexa Mini, Arri Alexa Amira
Lenses: Leica Summicron, Leica Summilux-C, Primo V
Title: Chesapeake Shores
Year: 2017
Directors:
Cinematographer: Brian Johnson
Camera(s): Arri Alexa High Speed
Lenses: Zeiss Ultra Primes, Angenieux Optimos, Primo Zooms
Title: The Guest Book
Year: 2017
Directors:
Cinematographer: Chad Peters
Camera(s): Arr Amira Premium
Lenses: PVintage, Primo Zooms
Title: The Defenders
Year: 2017
Directors:
Cinematographer: Matthew Lloyd
Camera(s): Red Weapon 6k
Lenses: PVintage, Angenieux Optimos
Title: Manhunt: Unabomber
Year: 2017
Directors:
Cinematographer: Zachary Galler
Camera(s): Panasonic Varicam 35
Lenses: Primo Primes, Primo Zooms, Primo Compact Zoom
Title: The Mist
Year: 2017
Directors:
Cinematographer: Andre Pienaar
Camera(s): Arri Alexa XT
Lenses: Primo Primes
Title: Shadowhunters: The Mortal Instrument
Year: 2017
Directors:
Cinematographer: Mike McMurray, David Herrington
Camera(s): Arri Alexa High Speed
Lenses: Zeiss Ultra Primes
Title: I'm Dying Up Here
Year: 2017
Directors:
Cinematographer: Ken Seng, Jim Frohna
Camera(s): Arri Alexa Mini
Lenses: Primo Zooms, Primo Compact Zoom, Canon 20-60mm, Leitz Close Focus
Title: Flaked
Year: 2017
Directors:
Cinematographer: Sing Howe Yam
Camera(s): Red Weapon 6k
Lenses: Primo Primes, Primo Zooms, Primo Compact Zoom
Title: FEAR THE WALKING DEAD
Year: 2017
Directors:
Cinematographer: Scott Peck
Camera(s): Arri Alexa Mini, Sony A7S II
Lenses: Vantage, Angenieux Optimos
Title: The Ranch
Year: 2017
Directors:
Cinematographer: Don Morgan
Camera(s): Sony F55
Lenses: Fujinon Cabrio, Encoded Primo Zoom
Title: PREACHER
Year: 2017
Directors:
Cinematographer: John Grillo
Camera(s): Sony F55
Lenses: PVintage, Angenieux Optimos, Baltars
Title: Dark Matter
Year: 2017
Directors:
Cinematographer: Craig Wright
Camera(s): Arri Alexa HS
Lenses: Primo Primes
Title: Orange is the New Black
Year: 2017
Directors:
Cinematographer: Ludovic Littee
Camera(s): Panasonic Varicam 35
Lenses: Primo Primes
Title: Twin Peaks
Year: 2017
Directors:
Cinematographer: Peter Deming, ASC
Camera(s): Arri Amira
Lenses: PVintage, Primo Zooms
Title: Queen of the South
Year: 2017
Directors:
Cinematographer: John Brawley
Camera(s): Arri Alexa Mini
Lenses: PVintage, Priomo Zooms, Super Speeds, Angenieux Optimos
Title: THE CARMICHAEL SHOW
Year: 2017
Directors:
Cinematographer: George Mooradian, ASC
Camera(s): Sony F55
Lenses: Encoded Primo Zooms
Title: Unbreakable Kimmy Schmidt
Year: 2017
Directors:
Cinematographer: John Inwood
Camera(s): Red Epic Dragon
Lenses: Primo Primes, Primo Zooms