TV Credits

Title: The Mist
Year: 2017
Directors:
Cinematographer: Andre Pienaar
Camera(s): Arri Alexa XT
Lenses: Primo Primes
Title: Shadowhunters: The Mortal Instrument
Year: 2017
Directors:
Cinematographer: Mike McMurray, David Herrington
Camera(s): Arri Alexa High Speed
Lenses: Zeiss Ultra Primes
Title: I'm Dying Up Here
Year: 2017
Directors:
Cinematographer: Ken Seng, Jim Frohna
Camera(s): Arri Alexa Mini
Lenses: Primo Zooms, Primo Compact Zoom, Canon 20-60mm, Leitz Close Focus
Title: Flaked
Year: 2017
Directors:
Cinematographer: Sing Howe Yam
Camera(s): Red Weapon 6k
Lenses: Primo Primes, Primo Zooms, Primo Compact Zoom
Title: FEAR THE WALKING DEAD
Year: 2017
Directors:
Cinematographer: Scott Peck
Camera(s): Arri Alexa Mini, Sony A7S II
Lenses: Vantage, Angenieux Optimos
Title: The Ranch
Year: 2017
Directors:
Cinematographer: Don Morgan
Camera(s): Sony F55
Lenses: Fujinon Cabrio, Encoded Primo Zoom
Title: Twin Peaks
Year: 2017
Directors:
Cinematographer: Peter Deming, ASC
Camera(s): Arri Amira
Lenses: PVintage, Primo Zooms
Title: PREACHER
Year: 2017
Directors:
Cinematographer: John Grillo
Camera(s): Sony F55
Lenses: PVintage, Angenieux Optimos, Baltars
Title: Dark Matter
Year: 2017
Directors:
Cinematographer: Craig Wright
Camera(s): Arri Alexa HS
Lenses: Primo Primes
Title: Orange is the New Black
Year: 2017
Directors:
Cinematographer: Ludovic Littee
Camera(s): Panasonic Varicam 35
Lenses: Primo Primes
Title: Queen of the South
Year: 2017
Directors:
Cinematographer: John Brawley
Camera(s): Arri Alexa Mini
Lenses: PVintage, Priomo Zooms, Super Speeds, Angenieux Optimos
Title: Unbreakable Kimmy Schmidt
Year: 2017
Directors:
Cinematographer: John Inwood
Camera(s): Red Epic Dragon
Lenses: Primo Primes, Primo Zooms
Title: THE CARMICHAEL SHOW
Year: 2017
Directors:
Cinematographer: George Mooradian, ASC
Camera(s): Sony F55
Lenses: Encoded Primo Zooms
Title: Anne
Year: 2017
Directors:
Cinematographer: Bobby Shore
Camera(s): Panasonic Varicam
Lenses: Super Speeds, Ultra Speeds, Cooke Zooms
Title: Sense8
Year: 2017
Directors:
Cinematographer: John Toll, ASC
Camera(s): Sony F55
Lenses: Super Speeds
Title: American Gods
Year: 2017
Directors:
Cinematographer: Brendan Galvin, Darran Tiernan
Camera(s): Arri Alexa XT
Lenses: Leica Summilux-C
Title: Great News
Year: 2017
Directors:
Cinematographer: Tom Magill
Camera(s): Arri Amira
Lenses: Angenieux Optimos
Title: Girlboss
Year: 2017
Directors:
Cinematographer: Christain Rein
Camera(s): Red Weapon 6k
Lenses: Cooke S2, Leica Summilux Primes, Angenieux Optimos
Title: iZombie
Year: 2017
Directors:
Cinematographer: Michael Wale
Camera(s): Arri Alexa HS
Lenses: Primo Primes, Primo Zooms
Title: The Leftovers
Year: 2017
Directors:
Cinematographer: Michael Grady
Camera(s): Arri Alexa Mini
Lenses: Angenieux Optimos
Title: The Blacklist
Year: 2017
Directors:
Cinematographer: Michael Caracciolo, Saade Mustafa
Camera(s): Sony F55
Lenses: Primo Primes, Primo Zooms
Title: Imaginary Mary
Year: 2017
Directors:
Cinematographer: Joe Penella
Camera(s): Sony F65
Lenses: Ultra Speeds, Alura Zoom, Zeiss Compact Zoom
Title: Time After Time
Year: 2017
Directors:
Cinematographer: David Insley
Camera(s): Arri Alexa XT
Lenses: Primo Primes
Title: The Originals
Year: 2017
Directors:
Cinematographer: Matt Chinigierian, Kurt Jones
Camera(s): Arri Alexa HS
Lenses: Primo Primes, Primo Zooms
Title: Iron Fist
Year: 2017
Directors:
Cinematographer: Manuel Billeter
Camera(s): Red Weapon 6k
Lenses: Primo 70