TV Credits

Title: Easy
Year: 2017
Directors:
Cinematographer: Eon Mora
Camera(s): Red Weapon 6k
Lenses: Super Speeds
Title: The Crown
Year: 2017
Directors:
Cinematographer: Adriano Goldman
Camera(s): Sony F55
Lenses: Cooke Panchro
Title: Marvel's Agents of Shield
Year: 2017
Directors:
Cinematographer: Feliks Parnell, Allan Westbrook
Camera(s): Arri Alexa
Lenses: Primo Zooms, Angenieux Optimos
Title: Fuller House
Year: 2017
Directors:
Cinematographer: Greg Heschong
Camera(s): Sony F55
Lenses: Primo Zooms, Primo Compact Zoom, Fujinon Cabrio
Title: Shameless
Year: 2017
Directors:
Cinematographer: Loren Yaconelli
Camera(s): Arri Amira Premium
Lenses: Ultra Speeds, Angenieux Optimos
Title: Life in Pieces
Year: 2017
Directors:
Cinematographer: Mike Pepin
Camera(s): Arri Amira Premium
Lenses: Angenieux Optimos, Primo Zooms
Title: Mom
Year: 2017
Directors:
Cinematographer: Steve Silver
Camera(s): Sony F55
Lenses: Primo Zooms, Fujinon Cabrio
Title: Vikings
Year: 2017
Directors:
Cinematographer: PJ Dillon
Camera(s): Arri Alexa XT
Lenses: Primo Primes, Ultra Speeds
Title: Glitch
Year: 2017
Directors:
Cinematographer: Earle Dresner
Camera(s): Arri Amira
Lenses: Primo Primes
Title: Future Man
Year: 2017
Directors:
Cinematographer: Cort Fey
Camera(s): Red 8K Helium
Lenses: G Series Anamorphic, T60 anamorphic, Anamorphic Zooms
Title: No Activity
Year: 2017
Directors:
Cinematographer: Judd Overton
Camera(s): Arri Alexa Mini
Lenses: Zeiss Ultra Primes
Title: The Long Road Home
Year: 2017
Directors:
Cinematographer: Yasu Tanida
Camera(s): Arri Amira
Lenses: Primo Primes Classic, Angenieux Optimos, Primo Compact Zoom
Title: SMILF
Year: 2017
Directors:
Cinematographer:
Camera(s): Arri Alexa Mini
Lenses: Sing Howe Yam
Title: The Girlfriend Experience
Year: 2017
Directors:
Cinematographer: Ari Wegner
Camera(s): Arri Alexa Mini
Lenses: Primo 70
Title: S.W.A.T
Year: 2017
Directors:
Cinematographer: Nigel Bluck
Camera(s): Millennium DXL, Red Helium, Sony A7S2
Lenses: Primo 70
Title: The Walking Dead
Year: 2017
Directors:
Cinematographer: Michael Satrazemis
Camera(s): Arri 416
Lenses: Zeiss Ultra 16mm
Title: Chance
Year: 2017
Directors:
Cinematographer: Michael Bonvillain
Camera(s): Arri Alexa Mini
Lenses: G Series Anamorphic, Anamorphic Zooms
Title: Legends of Tomorrow
Year: 2017
Directors:
Cinematographer: David Geddes, Todd Williams
Camera(s): Arri Alexa High Speed, Arri Alexa Mini
Lenses: Primo Primes, Primo Zooms, Primo Close Focus
Title: Superior Donuts
Year: 2017
Directors:
Cinematographer: Gary Baum
Camera(s): Sony F55
Lenses: Primo Zooms
Title: Major Crimes
Year: 2017
Directors:
Cinematographer: Kenneth Zunder, David Harp, Russell Miller
Camera(s): Arri Alexa High Speed
Lenses: Primo Zooms, Angenieux Optimos
Title: Good Behavior
Year: 2017
Directors:
Cinematographer: Brendan Galvin
Camera(s): Arri Alexa High Speed, Arri Alexa Mini, Sony A7S
Lenses: Primo Primes, Primo Zooms, Primo Compact Zoom, Leitz R
Title: 9jkl
Year: 2017
Directors:
Cinematographer: Chris LaFountaine
Camera(s): Sony F55
Lenses: Encoded Primo Zoom, Fujinon Zoom
Title: Ten Days in the Valley
Year: 2017
Directors:
Cinematographer: Edward Pei
Camera(s): Sony F55, Sony A7S
Lenses: Primo Compact Zoom, Primo Zooms, Primo Close Focus
Title: Ghosted
Year: 2017
Directors:
Cinematographer: Grant Smith
Camera(s): Arri Alexa Mini, Arri Amira
Lenses: Primo Primes, Primo Compact Zoom, PV24CF
Title: Jane the Virgin
Year: 2017
Directors:
Cinematographer: Lowell Peterson, Joe Gallo
Camera(s): Arri Alexa High Speed
Lenses: Primo Primes, Primo Zooms, Angenieux Optimo, Ultra Speeds