Cinema Credits

Title: War Machine
Year: 2017
Directors: David Michod
Cinematographer: Dariusz Wolski, ASC
Camera(s): Sony F55
Lenses: PVintage, Ultra Speeds, Primo Compact Zoom, Angenieux Optimos
Title: Baywatch
Year: 2017
Directors: Seth Gordon
Cinematographer: Eric Steelberg
Camera(s): Arri Alexa XT
Lenses: G Series Anamorphic, Anamorphic Zooms
Title: Alien: Covenant
Year: 2017
Directors: Ridley Scott
Cinematographer: Ross Emery
Camera(s): Arri Alexa XT
Lenses: PVintage
Title: King Arthur: Legend of the Sword
Year: 2017
Directors: Guy Ritchie
Cinematographer: John Mathieson, BSC
Camera(s): Arri Alexa XT
Lenses: E Series Anamorphic, Primo Close Focus Anamorphic, Anamorphic Zooms, Primo Compact Zoom
Title: Guardians of the Galaxy Vol. 2
Year: 2017
Directors: James Gunn
Cinematographer: Henry Braham
Camera(s): Red Weapon 8K
Lenses: Master Primes, Angenieux Optimos
Title: How To Be A Latin Lover
Year: 2017
Directors: Ken Marino
Cinematographer: John Bailey
Camera(s): Arri Alexa XT
Lenses: Primo Primes, Primo Zooms
Title: Unforgettable
Year: 2017
Directors: Denise Di Novi
Cinematographer: Caleb Deschanel ASC
Camera(s): Arri Alexa XT
Lenses: Primo Primes, Super Speeds
Title: The Lost City of Z
Year: 2017
Directors: James Gray
Cinematographer: Darius Khondji ASC
Camera(s): Arricam LT
Lenses: C Series Anamorphic
Title: Sandy Wexler
Year: 2017
Directors: Steven Brill
Cinematographer: Dean Semler ASC, ACS
Camera(s): Sony F55
Lenses: Primo Primes, Primo Zooms
Title: Their Finest
Year: 2017
Directors: Lone Scherfig
Cinematographer: Sebastian Blenkov
Camera(s): Arri Alexa PF
Lenses: Primo Primes
Title: Going in Style
Year: 2017
Directors: Zach Braff
Cinematographer: Rodney Charters ASC, CSC
Camera(s): Arri Alexa XT
Lenses: G Series Anamorphic, E Series Anamorphic, Anamorphic Zooms
Title: Chips
Year: 2017
Directors: Dax Shepard
Cinematographer: Mitch Amundsen
Camera(s): Red Epic Dragon Carbon
Lenses: Super Speeds, PCZ, Primo Zooms
Title: Kong: Skull Island
Year: 2017
Directors: Jordan Vogt-Roberts
Cinematographer: Larry Fong, ASC
Camera(s): Arri Alexa XT
Lenses: C Series Anamorphic, E Series Anamorphic, B Series anamorphic hybrids
Title: Logan
Year: 2017
Directors: James Mangold
Cinematographer: John Mathieson, BSC
Camera(s): Arri Alexa XT
Lenses: E Series Anamorphic
Title: Fifty Shades Darker
Year: 2017
Directors: James Foley
Cinematographer: John Schwartzman, ASC
Camera(s): Arri Alexa XT
Lenses: C Series Anamorphic, Anamorphic Zooms
Title: Youth in Oregon
Year: 2017
Directors: Joel David Moore
Cinematographer: Ross Reige
Camera(s): Arri Alexa Plus
Lenses: Ultra Golden Panatar, Cooke Xtal Xpress, Anamorphic Zoom
Title: A Dog's Purpose
Year: 2017
Directors: Lasse Hallström
Cinematographer: Terry Stacey
Camera(s): Arri Alexa XT
Lenses: Hawk V-Lite, Angenieux Optimos, Cooke S4
Title: The Founder
Year: 2017
Directors: John Hancock
Cinematographer: John Schwartzman ASC
Camera(s): Arri Alexa XT
Lenses: G Series Anamorphic
Title: xXx: The Return of Xander Cage
Year: 2017
Directors: D.J. Caruso
Cinematographer: Russell Carpenter ASC
Camera(s): Arri Alexa XT
Lenses: Primo Primes, Primo Zooms, 90mm Macro, Super Speeds
Title: Gold
Year: 2016
Directors: Stephen Gaghan
Cinematographer: Robert Elswit ASC
Camera(s): XL2
Lenses: C Series Anamorphic
Title: Hidden Figures
Year: 2016
Directors: Theodore Melfi
Cinematographer: Mandy Walker ASC, ACS
Camera(s): XL2
Lenses: E Series Anamorphic, T Series Anamorphic