Cinema Credits

Title: Victoria and Abdul
Year: 2017
Directors: Stephen Frears
Cinematographer: Danny Cohen, BSC
Camera(s): Red Epic Dragon
Lenses: Angenieux Optimos, Zeiss Master Primes
Title: Rebel in the Rye
Year: 2017
Directors: Danny Strong
Cinematographer: Kramer Morgenthau, ASC
Camera(s): Arri Alexa Mini
Lenses: Primo Primes, Primo Zooms, Super Speeds
Title: First They Killed My Father
Year: 2017
Directors: Angelina Jolie
Cinematographer: Anthony Dod Mantle, DFF, ASC, BSC
Camera(s): Sony F55
Lenses: Primo Primes, Primo Close Focus, Primo Zooms, Angenieux Optimos
Title: American Assassin
Year: 2017
Directors: Michael Cuesta
Cinematographer: Enrique Chediak
Camera(s): Arri Alexa XT
Lenses: Canon K35
Title: IT
Year: 2017
Directors: Andre Muschietti
Cinematographer: Chung-hoon Chung
Camera(s): Arri Alexa XT
Lenses: G Series Anamorphic
Title: Home Again
Year: 2017
Directors: Hallie Meyers-Shyer
Cinematographer: Dean Cundey
Camera(s): Arri Alexa, Canon C300EF
Lenses: Primo Primes, Angenieux Optimos, Primo Zooms
Title: All Saints
Year: 2017
Directors: Steve Gomer
Cinematographer: Eduardo Mayen
Camera(s): Arri Alexa Mini
Lenses: Primo Primes
Title: Polaroid
Year: 2017
Directors: Lars Klevberg
Cinematographer: Pal Ulvik Rokseth
Camera(s): Arri Alexa SXT
Lenses: E Series Anamorphic, G30, AWZ2
Title: Ingrid Goes West
Year: 2017
Directors: Matt Spicer
Cinematographer: Bryce Fortner
Camera(s): Arri Alexa Mini
Lenses: C Series Anamorphic
Title: Detroit
Year: 2017
Directors: Kathryn Bigelow
Cinematographer: Barry Ackroyd, BSC
Camera(s): Arri Alexa Mini
Lenses: Angenieux HR Zoom, Canon Zooms, Zeiss 16mm Primes
Title: Dunkirk
Year: 2017
Directors: Christopher Nolan
Cinematographer: Hoyte van Hoytema, ASC, FSF, NSC
Camera(s): IMAX, System 65
Lenses: Sphero 65, IMAX by Panavision
Title: Girl's Trip
Year: 2017
Directors: Malcolm D. Lee
Cinematographer: Gregory Gardiner
Camera(s): Sony F55
Lenses: Primo Primes, Primo Zooms, Primo Compact Zoom
Title: A Ghost Story
Year: 2017
Directors: David Lowery
Cinematographer: Andrew Droz Palermo
Camera(s): Arri Alexa Mini
Lenses: Zeiss Ultra Speeds
Title: To The Bone
Year: 2017
Directors: Marti Noxon
Cinematographer: Richard Wong
Camera(s): Arri Alexa High Speed
Lenses: Primo Primes, Primo Zooms, PVintage, Primo Compact Zoom
Title: The Bad Batch
Year: 2017
Directors: Ana Lily Amirpour
Cinematographer: Lyle Vincent
Camera(s): Arri Alexa XT
Lenses: C Series, Anamorphic Close Focus
Title: The House
Year: 2017
Directors: Andrew Jay Cohen
Cinematographer: Jas Shelton
Camera(s): Arri Alexa XT
Lenses: C Series Anamorphic, E Series Anamorphic, 16mm Anamorphic, Anamorphic Zooms
Title: The Beguiled
Year: 2017
Directors: Sofia Coppola
Cinematographer: Philippe Le Sourd, AFC
Camera(s): Arricam LT
Lenses: Cooke Panchro, Ultra Speeds, Primo Zooms
Title: Okja
Year: 2017
Directors: Bong Joon Ho
Cinematographer: Darius Khondji, ASC
Camera(s): Arri Alexa 65, Arri Alexa XT, Arri Alexa Minis
Lenses: Primo 70, Ultra Speeds
Title: Baby Driver
Year: 2017
Directors: Edgar Wright
Cinematographer: Bill Pope, ASC
Camera(s): XL2
Lenses: G Series Anamorphic, C Series Anamorphic, T Series Anamorphic, Anamorphic Zooms
Title: Transformers: The Last Knight
Year: 2017
Directors: Michael Bay
Cinematographer: Jonathan Sela
Camera(s): Arri Alexa 65, Arri 416, Red Weapon Dragon, Red Helium
Lenses: G Series Anamorphic, E Series Anamorphic, IMAX 3D, Hawk65 Anamorphic, Vantage T1
Title: The Book of Henry
Year: 2017
Directors: Colin Trevorrow
Cinematographer: John Schwartzman, ASC
Camera(s): XL2
Lenses: Primo Primes, Primo Zooms
Title: It Comes at Night
Year: 2017
Directors: Trey Edward Shults
Cinematographer: Drew Daniels
Camera(s): Arri Alexa XT
Lenses: Primo Primes, Ultra Speeds, Primo Zooms
Title: The Mummy
Year: 2017
Directors: Alex Kurtzman
Cinematographer: Ben Seresin
Camera(s): XL2
Lenses: C Series Anamorphic
Title: Wonder Woman
Year: 2017
Directors: Patty Jenkins
Cinematographer: Matthew Jensen
Camera(s): XL2
Lenses: Primo Primes
Title: Pirates of the Caribbean: Dead Men Tell No Tales
Year: 2017
Directors: Joachim Ronning, Espen Sandberg
Cinematographer: Paul Cameron, ASC
Camera(s): Arri Alexa XT
Lenses: Primo V