Cinema Credits

Title: Phantom Thread
Year: 2017
Directors: Paul Thomas Anderson
Cinematographer: Paul Thomas Anderson
Camera(s): XL2
Lenses: Zeiss Ultra Speeds
Title: The Greatest Showman
Year: 2017
Directors: Michael Gracey
Cinematographer: Seamus McGarvey ASC, BSC
Camera(s): Arri Alexa Mini
Lenses: Sphero 65, Primo Primes, Zeiss Superspeeds, Primo Compact Zoom, Primo 70 zooms
Title: Pitch Perfect 3
Year: 2017
Directors: Trish Sie
Cinematographer: Matthew Clark
Camera(s): Arri Alexa XT
Lenses: Primo Primes, Primo Zooms
Title: Downsizing
Year: 2017
Directors: Alexander Payne
Cinematographer: Phedon Papamichael, ASC
Camera(s): Arri Alexa XT
Lenses: PVintage
Title: All the Money in the World
Year: 2017
Directors: Ridley Scott
Cinematographer: Dariusz Wolski
Camera(s): Arri Alexa XT
Lenses: PV Superspeeds
Title: Star Wars: The Last Jedi
Year: 2017
Directors: Rian Johnson
Cinematographer: Steve Yedlin, ASC
Camera(s): XL2
Lenses: G Series Anamorphic, Anamorphic Zooms
Title: The Shape of Water
Year: 2017
Directors: Guillermo Del Toro
Cinematographer: Dan Laustsen
Camera(s): Arri Alexa XT
Lenses: Zeiss Master Primes
Title: The Disaster Artist
Year: 2017
Directors: James Franco
Cinematographer: Brandon Trost
Camera(s): Red Epic Dragon
Lenses: C Series Anamorphic
Title: The Tribes of Palos Verdes
Year: 2017
Directors: Emmett Malloy, Brendan Malloy
Cinematographer: Giles Dunning
Camera(s): Arri Alexa Mini
Lenses: Cooke Xtal Xpress
Title: Wonder
Year: 2017
Directors: Stephen Chbosky
Cinematographer: Don Burgess ASC
Camera(s): Red Weapon 6k
Lenses: Primo Primes, Primo Zooms
Title: Justice League
Year: 2017
Directors: Zack Snyder
Cinematographer: Fabian Wagner ASC, BSC
Camera(s): Arricam ST
Lenses: Leica Summilux-C
Title: Molly's Game
Year: 2017
Directors: Aaron Sorkin
Cinematographer: Charlotte Bruus Christensen
Camera(s): Arri Alexa XT, Arri Alexa Mini
Lenses: C Series Anamorphic, B Series anamorphic, E Series Anamorphic, Anamorphic Zooms
Title: November Criminals
Year: 2017
Directors: Sacha Gervasi
Cinematographer: Mihai Malaimare
Camera(s): Arri Alexa XT
Lenses: Ultra Speeds, Primo Zooms
Title: Mudbound
Year: 2017
Directors: Dee Rees
Cinematographer: Rachel Morrison
Camera(s): Arri Alexa Mini
Lenses: D Series, C Series Anamorphic, T Series Anamorphic, E Series Anamorphic, PVintage, Ultra Speeds, Primo Zooms, Anamorphic Zooms
Title: Murder on the Orient Express
Year: 2017
Directors: Kenneth Branagh
Cinematographer: Haris Zambarloukos BSC, GSC
Camera(s): 65mm High Speed
Lenses: Sphero 65, Super Panavision 70
Title: Lady Bird
Year: 2017
Directors: Greta Gerwig
Cinematographer: Sam Levy
Camera(s): Arri Alexa Mini
Lenses: PVintage, Ultra Speeds
Title: Three Billboards Outside Ebbing, Missouri
Year: 2017
Directors: Martin McDonagh
Cinematographer: Ben Davis BSC
Camera(s): Arri Alexa XT
Lenses: C Series Anamorphic, Anamorphic Zooms
Title: Last Flag Flying
Year: 2017
Directors: Richard Linklater
Cinematographer: Shane Kelly
Camera(s): Panasonic Varicam 35
Lenses: Primo Primes
Title: LBJ
Year: 2017
Directors: Rob Reiner
Cinematographer: Barry Markowitz ASC
Camera(s): Arri Alexa XT
Lenses: PVintage
Title: Suburbicon
Year: 2017
Directors: George Clooney
Cinematographer: Robert Elswit ASC
Camera(s): Arri Alexa XT Plus
Lenses: C Series Anamorphic, E135, E180, Anamorphic Zooms
Title: A Bad Moms Christmas
Year: 2017
Directors: Jon Lucas, Scott Moore
Cinematographer: Mitch Amundsen
Camera(s): Primo 70
Lenses: Red Epic Dragon Carbon
Title: All I See Is You
Year: 2017
Directors: Marc Foster
Cinematographer: Matthias Koenigswieser
Camera(s): Arri Alexa XT
Lenses: G Series Anamorphic, SP28, SS35
Title: Thank You For Your Service
Year: 2017
Directors: Jason Hall
Cinematographer: Roman Vas'yanov
Camera(s): Arri Alexa XT
Lenses: C Series Anamorphic, E135, T150
Title: The Mountain Between Us
Year: 2017
Directors: Hany Abu-Assad
Cinematographer: Mandy Walker ASC, ACS
Camera(s): Arri Alexa SXT, Arri Alexa Mini
Lenses: C Series Anamorphic, E Series Anamorphic, T150, G25, MAP55, Sphero 65
Title: The Florida Project
Year: 2017
Directors: Sean Baker
Cinematographer: Alexis Zabe
Camera(s): XL2
Lenses: E Series Anamorphic